Author’s Inspiration ~ Tom Williams #HistoricalFiction #HistFic @TomCW99

Please give a warm welcome to historical fiction author, Tom Williams.

Author’s Inspiration

When I was much younger than I am now, I travelled out to Singapore to spend Christmas with my mother-in-law. My mother-in-law was wonderful person in many ways, but could be a bit difficult to spend the whole of the holidays with, so my wife decided that, as a reward, she would take me to spend a few days in Borneo.

It was an amazing trip.

We stayed in Kuching, the capital of Sarawak, and set off from there to head upriver to spend time in a long house with the indigenous Dyak people. Many of the Dyaks still lived on the most basic slash and burn cultivation and the food they could catch in the jungle. We politely declined eating the monkey that we saw them cooking over an open fire – it looked far too much like a baby as they scraped the fur off to reveal the pink meat below. We caught a tiny mouse deer ourselves and contributed it to the collective pot. It was a magical few days and almost certainly unrepeatable, for the last couple of decades have seen logging destroy much of the habitat the Dyaks rely on to live, while mass tourism means that trips like those we made then are probably by now impossible.

It was on that trip that I first came across James Brooke. The museum in Kuching had an exhibition of Sarawak's history with a large display on 'The White Rajahs' next to a much smaller display on 'The Colonial Era'. I was confused. The White Rajahs were clearly, well, white. Why was it that while the tone of 'The Colonial Era' was rather disapproving (it mainly seems to have consisted of killing the Governor), 'The White Rajahs' display hinted at a Golden Age?

The answer seems to have been the extraordinary relationship the first White Rajah, James Brooke, had with the people of Sarawak. Sarawak then was a province of a much bigger country ruled by Muda Hassim in Brunei. Hassim gave the rule of Sarawak to James Brooke as a reward for Brooke's help suppressing a rebellion there. Brooke insisted that Sarawak was not part of the British Empire and he set out to rule as an enlightened despot.

At the centre of the exhibition was a portrait of James Brooke. It was a copy of the one in London's National Portrait Gallery.

Portrait of Sir James Brooke by Sir Francis Grant
National Portrait Gallery London. Used with permission

I saw it and just wanted to know more about this astonishingly handsome, dashing man who had taken a tiny country halfway round the globe from his home and made it his own. When I got back to England I started to read all I could find about him. It wasn't that difficult. His diaries were published, as were those of Keppel, the admiral who helps him defeat the pirates. I found myself getting more and more caught up in his story and, because I had always wanted to write, I decided to turn it into a novel. What I aimed for was an old-fashioned yarn with an old-fashioned hero and, up to a point, I succeeded. But in the end, although it got representation by a well-known agent, it really wasn't good enough for publication. I put it away and forgot about it.

Years passed and I found myself writing lots of non-fiction, often anonymously. I decided that I owed it to myself to write the novel I've always planned for. We were moving into an age when Western armies were invading remote countries, often with noble intentions but sometimes with terrible consequences. I wanted to write about how good people could end up involved in questionable wars and horrifying massacres. I remembered that James Brooke had himself been involved in a massacre which, at the time, had horrified liberal opinion in Britain and resulted in a Commission of Inquiry in Singapore. I decided to go back to my original novel and rewrite it as a much darker piece with a flawed hero.

The result was The White Rajah. Endeavour Press are publishing a new edition of this on 16 February. I hope you enjoy it.

Tom Williams

Have you ever noticed how many authors are described as ‘reclusive’? I have a lot of sympathy for them. My feeling is that authors generally like to hide at home with their laptops or their quill pens and write stuff. If they enjoyed being in the public eye, they’d be stand-up comics or pop stars.

Nowadays, though, writers are told that their audiences want to be able to relate to them as people. I’m not entirely sure about that. If you knew me, you might not want to relate to me at all. But here in hyperspace I apparently have to tell you that I’m young and good looking and live somewhere exciting with a beautiful partner, a son who is a brain surgeon and a daughter who is a swimwear model. Then you’ll buy my book.

Unfortunately, that’s not quite true. I’m older than you can possibly imagine. (Certainly older than I ever imagined until I suddenly woke up and realised that age had snuck up on me.) I live in Richmond, which is nice and on the outskirts of London which is a truly amazing city to live in. My wife is beautiful but, more importantly, she’s a lawyer, which is handy because a household with a writer in it always needs someone who can earn decent money. My son has left home and we never got round to the daughter.

We did have a ferret, which I thought would be an appropriately writer sort of thing to have around but he  eventually got even older than me (in ferret years) and died. I’d try to say something snappy and amusing about that but we loved that ferret and snappy and amusing doesn’t quite cut it.

I street skate and ski and can dance a mean Argentine tango. I’ve spent a lot of my life writing very boring things for money (unless you’re in Customer Care, in which case ‘Dealing With Customer Complaints’ is really, really interesting). Now I’m writing for fun.

If you all buy my books, I’ll be able to finish the next ones and I’ll never have to write for the insurance industry again and that will be a good thing, yes? So you’ll not only get to read a brilliant novel but your karmic balance will move rapidly into credit.

Can I go back to being reclusive now?

Tom loves to hear from readers. You can contact him:

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Land of Silver

When charismatic adventurer James Brooke travels to Borneo on the schooner Royalist, he plans to make a great fortune establishing trade between the natives and the British Empire. But even in his flights of fancy, he'd never imagined that he would end up rajah of his own country. The story is told by John Williamson, a young sailor who has travelled with Brooke since he set out from England. They find themselves mixed up in Borneo's civil war, political divisions, and intrigue, being forced further and further away from their dreams and ideals and struggling to establish the British presence on the island - as, meanwhile, love grows between them ... Based on the true story of James Brooke, the first White Rajah of Sarawak, this tale of adventure and love is set against the background of a jungle world of extraordinary beauty and savagery.

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