Editorial Book Review: VIA MALORUM by G. G. MacLeod

 

VIA MALORUM
By G. G. MacLeod

Publication Date: 3rd October 2025

Publisher: Independently Published

Page Length: 263

Genre: Historical Fiction / Ancient World / Thriller

In the shadowed streets of ancient Rome, 37 CE, power is a blade that cuts both ways. Agrippina, a towering enigma of ambition, slips from Caligula’s gilded cage with her newborn son, Domitius, her mind a labyrinth of cold calculation. At her side prowls Messalina, a siren in scarlet, her seductive cunning as deadly as her blade. Together, they navigate a city teeming with decadence and deceit, pursued by whispers of treachery and the emperor’s wrath.

Their journey leads to the Temple of Fortuna where the enigmatic Prophet Cassandra unveils a cryptic fate- one that demands sacrifice and promises blood. As alleys echo with violence and forbidden passions ignite. Agrippina’s quest for dominion collides with Messalina’s ruthless desires. In a night where every step drips with danger, who will rise and who will fall?

VIA MALORUM is a visceral plunge into the heart of Roman darkness, blending historical intrigue with the chilling allure of giallo. Prepare for a tale where power bleeds red, and trust is a luxury none can afford.

For enthusiasts of historical fiction, particularly those captivated by the complex and often chaotic narratives of the ancient world, “VIA MALORUM” by G.G. MacLeod offers a gripping alternative perspective on the lives of the imperial family. Straying far from the glorified and romanticised depictions typically associated with such figures, this novel delves deep into themes of power, revenge, familicide, and incest, revealing the darker undercurrents of human ambition and betrayal. Drawing on a rich tapestry of historical facts intertwined with the author’s own imaginative insights, MacLeod crafts a thrilling narrative that will grip readers from the very first page. The intricate plotting and multifaceted characters keep the tension high, ensuring that you’ll find yourself engrossed in the story long into the night.

The novel meticulously intertwines rich historical details with a cast of vibrant characters, skilfully immersing readers in the intricate complexities and dramatic tensions of a family teetering on the edge of catastrophic collapse. Set against a backdrop of political upheaval and societal change, the story delves deep into the personal struggles and ambitions of its characters, each facing their own demons and external pressures. MacLeod’s evocative prose draws readers into the heart of the narrative, where the stakes are high, and every decision carries the weight of history. As the family grapples with betrayal, loyalty, and the moral dilemmas of their time, the unfolding drama not only highlights individual passions and conflicts but also serves as a reflection of the larger historical forces at play. “VIA MALORUM” promises a richly textured reading experience that leaves readers pondering the fragility of human relationships amidst the chaos of the past.

Tiberius is dead, leaving a power vacuum in the heart of Rome. As the Senate grapples with the implications of his demise, the mantle of leadership falls to the young and charismatic Caligula. With an air of confidence and a flair for the dramatic, he emerges as a figure who embodies both the hopes and anxieties of the Roman populace. Caligula is known for his love of spectacle and grand gestures, often delighting in the unexpected and the extravagant. He captivates the crowds with promises of a new dawn, vowing to usher in an era of prosperity and renewal. As he takes the reins of power, there is an electric sense of anticipation surrounding his rule, for he is a leader who not only dreams big but thrives on thrilling surprises, eager to win the hearts of the people with his bold proclamations and larger-than-life persona. MacLeod presents him as a deeply ambitious individual, driven by an insatiable desire for power and recognition, yet undeniably flawed in his character. He may have been elevated to a pedestal by the adoration of his people, but beneath that exalted image lies a man whose feet are, without question, made of clay. Haunted by dark family secrets that could shatter his carefully constructed facade, Caligula is a complex figure grappling with his inner demons. His relentless hunger for revenge against those who wronged him further complicates his pursuits, revealing a psyche torn between ambition and vengeance. Ultimately, Caligula emerges as a formidable force in the political landscape, one that demands attention and respect, yet whose chaotic motivations and inherent flaws make him unpredictable and dangerous.

Agrippina is a formidable presence in her world, a woman of immense ambition and cunning, cloaked in a facade of polite decorum. Around her family, she expertly maintains an air of sophistication, concealing the dark machinations swirling beneath the surface of her seemingly composed exterior. Unbeknownst to her relatives, Agrippina is quietly orchestrating their downfall, driven by aspirations that eclipse even those of her brother. Ruthless and calculating, she is a dangerous figure, capable of manipulating those around her without a hint of remorse. Her relationship with Valeria Messalina is particularly complex; it is steeped in intensity, blending deep emotional ties with a self-serving agenda.  Together, they plot their paths to power, with Agrippina’s ultimate goal firmly fixed on securing the title of Augusta. Having feigned loyalty to her family throughout her life, Agrippina is indifferent to the bodies she must leave in her wake to achieve her desires. With the recent birth of her son, she envisions a future where she wields power beyond her wildest dreams, positioned to govern with a deftness that far outshines her brother’s current reign. MacLeod’s portrayal of Agrippina is chilling yet utterly captivating, crafting her as a character who propels the narrative forward. Through her perspective, readers gain intimate insights into the inner workings of the imperial family, witnessing the delicate balance of power, ambition, and treachery that defines their lives. As Agrippina navigates the treacherous waters of her environment, each calculated move brings her one step closer to her ultimate goal, revealing the dark depths of her aspirations.

Even more frightening than Agrippina is Valeria Messalina, a character who embodies a blend of bewitching charm, manipulative cunning, and unhinged behaviour. Her allure is undeniable, drawing those around her into a web of intrigue and chaos. Despite her many flaws, Messalina’s relationship with Agrippina stands out as perhaps the only genuine connection in her tumultuous existence. Yet, even this bond is tainted with an underlying tone of violence and betrayal, suggesting that trust in Messalina’s world is tenuous at best. Their friendship appears to serve Messalina’s self-interest, providing her with a semblance of loyalty and strength; however, it is also tinged with a disturbing sense of devotion. This duality adds complexity to Messalina’s character, illustrating her as someone deeply flawed and morally ambiguous.

Readers may find it difficult to form any attachment to her or any of the characters in this novel, each of whom seems crafted with traits meant to repel rather than endear. The lone exception appears to be the elephant, whose presence injects a rare moment of lightness into an otherwise dark narrative. Yet, despite this general lack of likability, Messalina remains the most unhinged and unpredictable character in the story, her actions rife with a potential for chaos that keeps readers on edge.

The historical detailing in this novel is wonderfully portrayed, showcasing the author’s dedication to extensive research. Every element, from the grandeur of the imperial palace to the gritty, narrow alleys of Rome, is depicted with remarkable precision. The story immerses readers in the rich tapestry of the era, capturing not only the visual splendour of the time but also the vibrant atmosphere filled with the sounds, smells, and traditions that defined everyday life in ancient Rome. The careful attention to historical accuracy adds depth and authenticity, allowing readers to truly feel as though they are walking the cobbled streets alongside the characters.

The symbolism present in the relationship between the cats, the rats, and the imperial family, along with the Senate, is significant and profound for the reader. The cats, representing the elite and the powerful, are the first to arrive at the feast, showcasing their dominance and privilege within the social hierarchy. In contrast, the rats, often seen as cunning and resourceful, quickly follow, highlighting their desperation and the ever-present competition for resources. This reflects the broader themes of power dynamics, social class, and the struggle for survival in a world where both the powerful and the marginalised are vying for their place at the table. The interactions among these characters serve as a mirror to the relationships and power struggles observed within the imperial family and political arena of the Senate.

The blatant use of alcohol and drugs significantly influences the dynamics of the Julio-Claudian dynasty as depicted in MacLeod’s work. With the exception of Agrippina, nearly every member of the dynasty succumbs to the temptation of these intoxicants, indulging in them to the point of excess. Agrippina, however, maintains a clearer mind, resisting the allure of these substances while her uncle and sister are unable to navigate their daily lives without relying on a concoction of Egyptian herbs, mushrooms, and opium-derived preparations. This pervasive dependency on drugs, while some may have originated for legitimate medicinal purposes, raises intriguing questions about their role in the lives of these individuals. Instead of merely serving as a means to alleviate physical discomfort, these substances function almost as a psychological crutch. They provide a temporary escape from the harsh realities of life within the imperial court, where danger and intrigue lurk at every turn. The constant threat to their safety and well-being seems to drive them toward self-medication, illustrating a profound struggle to cope with the relentless pressures and horrors of their existence in a tumultuous era.

The novel delves into the intricacies of human emotions through explicit scenes that vividly depict both sexual encounters and violent confrontations. These moments are rendered in striking detail, allowing readers to experience the raw intensity of each situation. The sexual content goes beyond mere physicality, exploring the intricate layers of human desire, power dynamics, and the quest for control within relationships. Conversely, the violent scenes are portrayed with a sense of unpredictability, capturing a palpable sense of dread and danger; in the treacherous landscape of Rome, there is an omnipresent threat that looms even during seemingly joyful moments spent with family. Each encounter—whether passionate or perilous—serves to immerse the reader in a world where the line between pleasure and danger is perilously blurred.

Gaining a comprehensive understanding of the historical context surrounding this era is essential for fully appreciating the narrative that unfolds in this story. While the main cast of characters may be relatively small, the significant historical events and societal changes that occur around them play a pivotal role in shaping their experiences and actions. These events not only influence the characters’ lives but also enrich the overall narrative, highlighting the intricate connections between personal stories and the larger world they inhabit.

With its blend of meticulous research and bold storytelling, “VIA MALORUM” invites readers to explore the unsettling realities behind the façade of grandeur that often masks the tumultuous struggles for supremacy within the imperial court.

Review by Mary Anne Yarde

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G. G. MacLeod

I'm a Canadian indie author who also has a straight job. I'm 54 years old and "Augusta" is my first major foray into the world of publishing my work. Otherwise, there's nothing particularly interesting to say about me. I'm a pretty boring person, really who enjoys living a quiet life of reading/writing and thinking up story ideas that no one has actually pursued. 

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