By Michael Stolle
Pages
- Home
- About
- Book Of The Year Award 2026
- Editorial Book Review Packages
- Instagram Package
- Book Spotlight Package
- Blog Tours
- Upcoming Blog Tours
- Blog Tour Hosting
- Hybrid Publishing & Audiobook Production Packages
- Full Editing Services
- NetGalley Promotional Package
- Social Media Graphics: X / Instagram / Facebook
- Recommended Reads
- Privacy Policy
- Testimonials
- Contact
Sunday, 11 January 2026
The Deadly Legacy of Rothenburg Castle by Michael Stolle
By Michael Stolle
Saturday, 10 January 2026
May 1940: Destination Dunkirk, The Mission of a "Little Ship" by Michael E. Wills
By Michael E. Wills
Publisher: Bygone Ages Press
Page Length: 177 pages
Genre: Historical Fiction
“I am ordered to commandeer this vessel, immediately, for use by the navy and to take command of it!”
The words were spoken by a naval sub-lieutenant to Ben Bainbridge, captain of the motor vessel Bee. The crew of the small ship were unloading a consignment of steel plates on to the quay in Portsmouth dockyard. They were looking forward to sailing back to their home harbour, Newport, Isle of Wight, in time for supper. But that was not to be.
Within thirty-six hours, the Bee was in a sea littered with wreckage, oil spills and floating corpses, dodging lethal bullets and bombs as wave after wave of German aircraft flew overhead.
This is the story of a “Little Ship”, inspired by the diary of the ship’s engineer.
“May 1940: Destination Dunkirk - The Mission of a ‘Little Ship’ by Michael E. Wills may be brief enough to be consumed in a single sitting, yet its emotional resonance and profound impact will linger with readers long after they have turned the last page. This novel comes highly recommended.
Yarde Book Promotions
Michael E. Wills
Michael Wills was born in Newport on the Isle of Wight and attended the Priory Boys’ School and later Carisbrooke Grammar. He trained as a teacher at St Peter’s College, Birmingham, before teaching mathematics and physical education for two years at a secondary school in Kent.
After re-training to become a teacher of English as a Foreign Language he worked in Sweden for thirteen years. In 1979 he returned to UK with his wife and young family to start a language school, the Salisbury School of English.
From small beginnings the school developed into substantial business enterprise. Michael retired in 2008 after over forty years in the field of education. Along the way, he was President of Salisbury Chamber of Commerce and Industry and Co-Chair of English UK, the national association of English language training providers.
Currently, Michael is employed part-time as Ombudsman for English UK. He divides his spare time between indulging his life-long interest in medieval history and enjoying his grandchildren, writing, carpentry, amateur radio and sailing.
Michael also has an interest in modern history and has a website relating to the evacuation of Dunkirk in World War II: https://www.iowtodunkirk.com
Friday, 9 January 2026
Editorial Book Review: The Lady of the Mirrored Lake (The Wild Rose and the Sea Raven Book 2) by Jennifer Ivy Walker
(The Wild Rose and the Sea Raven Book 2)
By Jennifer Ivy Walker
Jennifer Ivy Walker’s "The Lady of the Mirrored Lake (The Wild Rose and the Sea Raven Book 2)" is a hauntingly romantic, character-driven fantasy steeped in Celtic mysticism, ancient power, and the quiet ache of destiny. Written with lyrical restraint and emotional depth, this novel unfolds like a half-remembered legend whispered beside sacred waters — intimate, perilous, and utterly enchanting.
From the opening pages, Walker draws the reader into a world that feels profoundly alive. Great halls glow with warmth and fellowship, rich with the scents of fine wine and lovingly prepared food, while beyond their doors, forests stretch heavy with magic and memory. Lakes mirror more than faces — they reflect truth, lineage, and fate. The land itself seems to breathe, watch, and remember, lending the story a reverent, almost sacred atmosphere.
At the heart of the novel stands Issylte, a heroine of rare depth and quiet power. She is not merely a healer or priestess of the Tribe of Dana, but the daughter of a fallen king — the rightful heir to a throne seized through murder and ambition. Issylte does not shy away from this truth; she wants her inheritance, not for glory, but to restore balance and justice to a realm ruled by fear. Her claim thrusts her into grave danger, forever shadowed by the ruthless queen who poisoned her father and will stop at nothing to kill her, too. This tension — between sacred duty, royal birthright, and survival — lends Issylte’s journey a potent emotional gravity.
Issylte’s strength lies not in spectacle, but in compassion, restraint, and an unbreakable bond with the sacred. Her magic feels ancient and costly, bound to devotion rather than dominance. Walker allows her transformation to unfold gently, through moments of doubt, tenderness, and fierce resolve, making her evolution feel earned and deeply human.
The sensuality of the novel is woven with exquisite care. Particularly compelling is the charged intimacy between Issylte and Tristan, whose connection feels guided by forces far older than choice alone. Their bond carries the unmistakable resonance of destiny — a recognition that transcends words, drawing them together as if the land, the magic, and the old gods themselves have marked them as mates. Desire simmers beneath restraint and reverence, expressed through lingering glances, the brush of a hand, and moments of profound emotional vulnerability. Walker understands that true sensuality lies in inevitability as much as longing, allowing their relationship to feel both tender and powerfully fated.
The novel’s chivalric soul is embodied in Lancelot, the exiled White Knight whose gallantry, generosity, and quiet humility inspire unwavering loyalty. Though cast from Arthur’s court, his moral compass never falters, and his boyish charm lends warmth to a character often mythologised beyond humanity. Walker’s Lancelot is not merely a legend, but a man shaped by honour, loss, and hope — a steady light in an increasingly shadowed world.
Beneath the beauty, however, a darker current stirs. Shadows gather in the ambitions of those who serve power rather than honour — a treacherous knight, an infamous dwarf, and an evil queen whose reputation inspires dread. Whispers of renewed violence, corruption, and forbidden alliances ripple through the narrative, casting unease over courts and coastlines alike. Ancient evils hunger for sacred waters, and the sanctity of the priestesses of Dana is imperilled by forces willing to defile anything holy for gain. Particularly unsettling is the presence of a shadowed fae influence, sustained through corruption and sacrifice, reminding the reader that some bargains exact a terrible price.
Mysticism flows through the novel like an ever-present undercurrent. Sacred groves, enchanted waters, and otherworldly beings appear with dreamlike inevitability. Magic is never casual or convenient — it is alive, sentient, and bound to consequence. Walker’s reverence for myth and folklore lends the story a timeless quality reminiscent of oral legend rather than modern fantasy spectacle.
The supporting cast is richly realised, from honour-bound knights and haunted warriors to figures whose beauty, ambition, or cruelty threaten fragile balances of power. Every character feels purposeful and layered, ensuring that each interaction carries emotional weight and meaning.
"The Lady of the Mirrored Lake (The Wild Rose and the Sea Raven Book 2)" is a novel to be savoured. Sensual without excess, mystical without indulgence, and driven by character rather than contrivance, it honours the old ways — where love is powerful, magic is sacred, and destiny must be claimed as well as endured. It is a beautifully written, emotionally resonant fantasy that lingers like moonlight upon still water — enchanting, dangerous, and unforgettable.
Yarde Book Promotions
The Lady of the Mirrored Lake
(The Wild Rose and the Sea Raven Book 2)
HERE
Read with #KindleUnlimited
The Chosen Man by J. G. Harlond
By J. G. Harlond
Thursday, 8 January 2026
Widdershins (The Newcastle Witch Trials Trilogy, Book 1) by Helen Steadman
(The Newcastle Witch Trials Trilogy, Book 1)
By Helen Steadman
Bright One by Lisajoy Sachs
When desperate choices mean the difference between life and death.
Inspired by true events, Bright One tells the story of Jetti Finkelthal, Lisajoy Sachs’ great-grandmother.
In Czernowitz, Romania, this young Jewish mother is forced to face impossible choices as the world begins to collapse around her. As antisemitism tightens its grip and war edges ever closer, Jetti holds fast to her daughter, Berta, with the fragile belief that love and courage might still carve a way through the darkness.
Heartened by her grandmother Berta's letters, photographs, and family oral histories, Sachs revives a story both intimate and universal—stitched with the fabric of daily life, the pull of memory, and the quiet heroism of women who refused to yield to despair. Told with vivid, sensory detail, the novel unfolds as if you are walking beside the characters, witnessing what they see and sharing in what they feel.
Through Jetti’s resilience and sacrifices, Bright One reveals the enduring strength of family ties and the shadow of trauma that lingers across generations. It is a story of survival, of loss, and of the unbreakable connection between mother and child.
For readers captivated by historical fiction that lingers long after the final page, Bright One offers a profoundly human portrait of love tested by history’s darkest hours.
Excerpt
Joel’s eyes roamed the room again, seeking an anchor to steady his turbulent thoughts. The canopy bed, draped in fine linens and accented by plush pillows, exuded comfort and security. Lavender lingered on the sheets, intertwining with the sweetness of the candles. It was a scene so removed from the barren trenches and the grim realities he had lived through. The suite was a testament to permanence, to wealth, to a life he wasn’t sure he deserved anymore.
Connect with Lisajoy Sachs:
.png)



.png)


.png)



.png)


.png)



.png)



