Thursday, 23 April 2026

Bride of the Devil: Agnes, Wife of Robert de Belleme (Medieval Babes) by J.P. Reedman






Bride of the Devil:
Agnes, Wife of Robert de Belleme
(Medieval Babes)
By J.P. Reedman



Publication Date: August 4th, 2025
Publisher: independently published
Pages: 248
Genre: Historical Biographical Fiction / Medieval Fiction


She is a great heiress; he is the wickedest man in Normandy.


Known to men far and wide as 'The Devil,' Robert de Belleme terrorises France alongside his equally fearsome mother, Mabel the Poisoner. But even a Devil needs an heir, and Mabel chooses the wealthy heiress Agnes of Ponthieu to be her son's bride. The marriage is unhappy, though the longed-for son and heir is eventually born...but when Robert is away on one of his military campaigns, Agnes flees back to her father's castle.

She is not safe; her young son William is not safe.

The Devil will seek to claim his own.

BOOK 13 IN THE MEDIEVAL BABES SERIES.


Buy Link:
This series is available to read on #KindleUnlimited.


J.P. Reedman


J.P. Reedman was born in Canada but has lived in the U.K. for over 30 years. Interests include folklore and anthropology, prehistoric archaeology (neolithic/bronze age Europe; ritual,burial & material culture), as well as The Wars of the Roses and the rest of the medieval era. Novels include the popular  I, Richard Plantagenet series about Richard III, The Falcon and the Sun (featuring other members of the House of York), and Medieval Babes, an ongoing series about lesser-known medieval queens and noblewomen.


Connect with J.P.:

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Wednesday, 22 April 2026

Mistress Constancy (The Armillary Sphere, Story of Lady Jane Rochford Book 1) by G. Lawrence


Mistress Constancy 
(The Armillary Sphere, Story of Lady Jane Rochford Book 1)
 By G. Lawrence


Publication Date: 28th September 2021
Publisher: Independently Published
Print Length: 434 Pages
Genre: Historical Fiction

Lady of the Tudor Court, servant of queens, courtier, wife, spy... and constant heart. This is the story of Jane Boleyn, Lady Rochford.

In death she would become infamous, yet in life passed often unseen. Jane Parker, daughter of the scholar Lord Morley, leaves her home at a tender age, embarking on a career in the dangerous Tudor Court. From the halls of her father's house to the palaces of London, from England to Calais and the Field of the Cloth of Gold Jane will travel, seeing much of this world, and others.

Promised in marriage to George Boleyn, Jane is drawn into the future of his family and their advancement... and as Anne Boleyn catches the eye of the King, Jane becomes part of the tempest about to be unleashed upon England.

Mistress Constancy is Book One of The Armillary Sphere, Story of Lady Jane Rochford by G. Lawrence.


Head back to Tudor England and start your reading adventure HERE.
Read with #KindleUnlimited



I am an independently published author, and proud to be so. Living in a little cottage in Wales in the UK, I love where I live as much as I love to write.

The age of the Tudors has been an obsession for me since I was a child, and many of my upcoming books will centre on that time, but I also pen the odd dystopian fiction or historical fiction from other time periods. I will be releasing all my titles on amazon, for kindle, paper and hard back, and soon to come, audio books!

I studied Literature (with a capital L) at University and usually have twenty or more books I'm currently reading. Reading and writing are about mood for me, and I haven't found a genre I didn't enjoy something about so far...

I can often be found on social media, sharing my books and any interesting historical site I have managed to find that week, so come find me if that’s what you like to see!


Lucie Dumas by Katherine Mezzacappa





Lucie Dumas
By Katherine Mezzacappa




Publication Date: March 30th, 2026
Publisher: Stairwell Books
Pages: 278
Genre: Historical Fiction


London, 1871: Lucie Dumas of Lyon has accepted a stipend from her former lover and his wife, on condition that she never returns to France; she will never see her young son again. As the money proves inadequate, Lucie turns to prostitution to live, joining the ranks of countless girls from continental Europe who'd come to London in the hope of work in domestic service.


Escaping a Covent Garden brothel for a Magdalen penitentiary, Lucie finds only another form of incarceration and thus descends to the streets, where she is picked up by the author Samuel Butler, who sets her up in her own establishment and visits her once a week for the next two decades. But for many years she does not even know his name.


Based on true events.


Excerpt


I shall start by describing this room. It is probably commonplace enough, doubtless similar in its outward appearance to hundreds upon hundreds of comfortable petit bourgeois parlours in this city. I surmise this, as I am not invited into such places. Looking out of the window (for here, unlike that house in Covent Garden, I am free to open the heavy brocade curtains and loop them back to let in the light the same as anyone else), I can see glimpses of other such rooms on the opposite side of Handel Street. My view of those other lives is especially favoured on cold days like this one, when housemaids turn up the gas in order to be sure they can see to feather away every last speck of dust, for mistresses whose principal occupation appears to be checking the work of others rather than doing that work themselves. I see a waxy-leaved plant pressing against the window as though it wished to escape; I have one like it. I see curtains like mine. I glimpse an elaborate mantelpiece on which stand blurred little white objects. They too are Meissen shepherdesses, no doubt, though mine I think are imitations, bought in Seven Dials. 


Today is the feast of the Immaculée. Brigid and I will walk later to Mass in what I have heard the older people call the Sardinian Chapel. 


I have Brigid instead of a parlour-maid. I can hear her clattering away in the kitchen, as I write this. In all the years she has been with me, upwards of fifteen I think – no, it must be longer, though she is not yet thirty - I have never succeeded in persuading her to do anything quietly. She is obliged to work in spurts and invent reasons for frequent forays outside this apartment. This is because my callers would object to the noise, given what they come here to do. There are two exceptions to this. One is Monsieur, who calls punctually on Wednesday afternoons, and for whom Brigid is an original, a character. I expect he intends to put her in a book. I wonder if he has ever done that with me. The other is Mr Jones, who calls the day before Monsieur. I do not like Mr Jones but he calls here because Monsieur wishes him to do so and so I do not care if Brigid brings the house down around his ears. Monsieur sent Mr Jones to me for the good of Mr Jones’s health, he told me. I find Mr Jones’s health tedious in the extreme, for he complains of his indigestion fit to give the same to me. The rest of the time, if he speaks at all, it is to speak of Monsieur. He would be nothing without him, you see. Nor, I believe, would I. No, I would be something, but not anything most of us would want. 


I have about six regular gentlemen who call on me now, though none as predictably as do Monsieur or Mr Jones. Twenty years ago I would have turned my professional smile on six at least in the space of a night. Of the others, I know very little. One I believe is a police sergeant, another a doctor. They have given me names, but I do not believe these are their own. Monsieur was Ernest to me until only a few years ago. I too have gone by different names in the past. I was Lisette in Covent Garden, a young widow left destitute by a husband’s gambling debts. But of late, I have adopted not a new Christian name but a family name. I am Lucie Dewattines, lately of Lyon, born Lucie Dumas. Dewattines is my mother’s name, but she is dead so I cannot shame her. My father sold me so it is he who should feel shame.


Dudley Street, Seven Dials 
Wikimedia Commons – credit, Wellcome Images




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Katherine Mezzacappa


Katherine Mezzacappa is Irish but currently lives in Carrara, between the Apuan Alps and the Tyrrhenian Sea. She wrote The Ballad of Mary Kearney (Histria) and The Maiden of Florence (Fairlight) under her own name, as well as four historical novels (2020-2023) with Zaffre, writing as Katie Hutton. She also has three contemporary novels with Romaunce Books, under the pen name Kate Zarrelli. The Maiden of Florence was shortlisted for the Historical Writers’Association Gold Crown award in 2025 and has also been published in Italian.

Katherine’s short fiction has been published in journals worldwide. She has in addition published academically in the field of 19th century ephemeral illustrated fiction, and in management theory. She has been awarded competitive residencies by the Irish Writers Centre, the Danish Centre for Writers and Translators and (to come) the Latvian Writers House.

Katherine also works as a manuscript assessor and as a reader and judge for an international short story and novel competition. She has in the past been a management consultant, translator, museum curator, library assistant, lecturer in History of Art, sewing machinist and geriatric care assistant. In her spare time she volunteers with a second-hand book charity of which she is a founder member.

She is a member of the Society of Authors, the Historical Novel Society, the Irish Writers Centre, the Irish Writers Union, Irish PEN / PEN na hÉireann and the Romantic Novelists Association, and reviews for the Historical Novel Review. She is lead organiser for the Historical Novel Society 2026 Conference in Maynooth, Co. Kildare.

Katherine has a first degree in History of Art from UEA, an M.Litt. in Eng. Lit. from Durham and a Masters in Creative Writing from Canterbury Christ Church.


Connect with Katherine:

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Tuesday, 21 April 2026

The Wastrel's Daughters by Arabella Brown

 

 

The Wastrel's Daughters 
By Arabella Brown


Publication Date: 13th April 2021
Publisher: Independently Published
Print Length: 268 Pages
Genre: Historical Fiction / Regency Romance

A chaste, entertaining Regency novel. 

Left with nothing but debts after their father’s death, Anne and Polly Selby have no choice but to let the house and seek employment, bidding farewell to a genteel life. 

Anne becomes a governess – but is dismissed within weeks, though not before losing her heart to a debt-ridden gamester.

Polly, companion to testy, demanding Lady Thrutchbeck, falls seriously ill. Recovering, she finds herself courted by a gentleman she has never met.

Does Polly's suitor intend marriage, or does he only want a sympathetic ear for his memories of his dead wife? Will Anne's rake truly reform, or is he merely making empty promises? Is there a chance for their happiness? And what has happened to the mysterious valise mentioned by their father in his last words?


Head back to the Regency world and start your reading adventure HERE.

Arabella Brown


Arabella Brown is a pen name of Henye Meyer. Mrs. Meyer has published a number of books for a specific niche market, so to differentiate, she uses Arabella Brown for Regencies and other types of fiction such as SF and genre stories. All of her writing is absolutely clean. She loves writing historical fiction but occasionally has dreams too interesting to resist turning into stories.

Mrs. Meyer was born in North America but now lives in the U.K. in a Victorian semi-detached bungalow, an unusual configuration. It has a larger garden (mostly vertical) than you expect to find in the city, which she keeps as nature-friendly as possible, attracting a wide variety of birds as well as foxes (of course), newts, hedgehogs, and deer.

Mrs. Meyer has an exceptionally tolerant husband, children, grandchildren, great-grandchildren, and a lively sense of humor.


Sarah's Destiny (The Ancestors) by Vicky Adin





Sarah's Destiny
(The Ancestors)
By Vicky Adin


Publication Date: April 9th, 2025
Publisher: AM Publishing New Zealand
Pages: 354
Genre: Historical Fiction / Women's Historical Fiction


Young Sarah Daniels is the heart, soul and future of The White Hart Inn on the Welsh Back. Alongside the quay and wharves on Bristol’s floating harbour, she dreams of finding love, and a destiny where she can escape the drudgery and tragedy that life usually delivers Victorian women. But dreams are free, and few share her ideals. When reality strikes, and Sarah learns the hard way that life is unkind, one man offers her hope.

Through many decades of heart-aching loss, false promises and broken dreams, the young widow clings to that one hope. With six children to care for, she takes risks few others would consider. She breaks conventions and makes sacrifices to keep that hope alive.

Will her wishes come true, or is she destined to be another unfortunate in the sea of many?


Excerpt

1862

Even though she was expecting it, and – she thought – prepared herself for the inevitable, she hadn’t expected the intensity of the sorrow that surged through her. Neither could she hold back the wail that escaped as she tried to push air into her lungs to release the pain. “Daaaa! Oh, Da. Nooooo!” 

Mary held her sister close while Sarah’s shoulders shook, and her hands covered her face hoping to block out the image of her ashen-faced father lying on his bed, his skin the colour of the freshly laundered pillowslip under his head. 

“Shh. Sarah, my love. Don’t weep,” murmured Mary. “He’s gone to a better place, where there’ll be no more pain.” 

Sarah rested her tear-soaked face and red-rimmed eyes on her sister’s breast, trying to regain control of her breathing. “I know. I do know, but oh, Mary, I’m gonna miss ’im so much,” she said between hiccoughs. 

“We can’t be selfish about these things. He were ready, and we have to carry on with his memory lookin’ over our shoulders.”
 
Sarah nodded as Mary continued talking. Suddenly feeling more like a child than a woman approaching thirty, she let her big sister take charge. 

“I’ve given Ma some extra laudanum. It’ll help her sleep, but she’ll be in a dark place when she wakes up, between the effects of that stuff and the realisation that Da’s gone. It’s funny, I never really thought of them much as a couple. They were just Ma and Da, but they’ve been together for well over fifty years. They shared in the loss of four of their children and kept home and hearth together for the rest of us. Makes ya think differently somehow.” 

“Aye, it does, I suppose. Never thought of it that way.” 

She listened to Mary as she moved around the room, closing the curtains and covering the mirrors. “I’ve arranged for a wreath to be hung at the door. I’m sure all Da’s customers will want to know of his passing and to raise a toast to him.” 

“Will Ma want to wash the body alone or should we do it together?” asked Sarah dolefully, thinking she should have stopped the grandfather clock downstairs before she came up. “And we’ll need to move him into the parlour for those who wish to say their farewells.” 

Sarah would regret not being beside her father, holding his hand, at the moment of his death, but that wasn’t her destiny. That moment had belonged to her ma.

“Once the doctor’s been, Sarah, we shall, but for now can ya get me as much black crape as ya can find to hang over the mirrors and swags for the doors? Since the three of us wear black anyway, there’s little immediate need for more suitable clothes. I’ll need lots of ostrich feathers. Are you listening, Sarah?” 

Sarah pulled her eyes from her father’s body. “What? Oh, yes, Mary, I heard ya. Are we sure he’s gone? I wouldn’t want him waking up in the coffin like we’ve heard of happening afore?” 

Mary slipped her arm around Sarah once more. “I’m sure. And the doctor will confirm it. I promise. Unfortunately, Da won’t be one to be saved by the bell.” 

Sarah offered Mary a weak smile, remembering how some of the more superstitious families tied a rope around the deceased’s hand and attached it to a bell sitting above ground in case the person woke up and needed to alert someone. 

“Can you also arrange for the notice in the newspaper? It doesn’t have to be much, but it’s important these days; oh, and Ma wants to have black-edged handkerchiefs made, but I might be able to sew some up.” 

“I can help with those,” said Sarah. 

Over the following three days, Da’s body lay under the constant eye of Ma and Aunt Nettie, who came for her sister’s sake, or Mary, herself and Ted, depending on the demands of the taproom and kitchen. Their sister Harriet remained in the valleys of Wales, with her new husband and brood of youngsters, still in mourning for her ten-year-old son. 

Streams of people paid their respects to Jacob, some pithy, some eloquent, some meaningful. Nearly all brought tears to the mourners’ eyes, despite the Victorian traditional of silent, respectful mourning. 

“Will you hire mutes?” asked Sarah of her mother who was being anything but stoic. She shuddered while waiting for her mother’s response and took deeper breathes to calm her nerves. She hated the mutes, who always made her feel inadequate with their soundless scrutiny. 

“I don’t want them silent, solemn-faced numpties anywhere near my Jacob,” said Betsey close to anger. “They’ll do no good.” 

Eventually, the wake was over. The undertaker called to remove the body, feet first through the door, so the spirits wouldn’t call anyone else to death. The hearse, pulled by two bay horses and adorned with the almost regulatory ostrich feathers, made its way to the Holy Trinity of St Philip church on the hill above, where her father was laid to rest. 
A memory seared on her brain forevermore. 

“Goodbye, Da. I don’t know what I’ll do without ya.” 


Buy Link:

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This title is available to read on #KindleUnlimited.



Vicky Adin



Like the characters in her books, Vicky has a passion for family history and a love of old photos, antiques, and treasures from the past. After researching the history of the time and place, and realising the hardships many people suffered, Vicky knew she wanted to write their stories. Tales of love and loss, and triumph over adversity. Her latest release, Sarah’s Destiny, Book 1 of The Ancestors series, is inspired by a true love story set in Bristol.

Vicky particularly enjoys writing inter-generational sagas, inspired by true stories of early immigrants to New Zealand, linked by journals, letters, photographs, and heirlooms.

She’s an avid reader of historical novels, family sagas and women’s stories and loves to travel when she can. She has a MA (Hons) in English and Education. Her story of Gwenna won gold in The Coffee Pot Book Club Women’s Historical Fiction Book of Year in 2022 and several of her books carry the gold B.R.A.G medallion.


Connect with Vicky:

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A conversation with historical fiction author, Jude Grayson.


Stories like the Trojan War have endured for centuries, shaped by myth, legend, and countless retellings. Yet beneath the grandeur of heroes and gods lies something far more intimate: the human choices that set everything in motion. In Blood and Bronze, author Jude Grayson revisits this familiar tale with a fresh perspective, stripping it back to the people behind the legend and the moments that changed everything.


In this conversation, Grayson reflects on his journey as a writer, his fascination with the individuals who shape history, and his approach to reimagining one of the most well-known stories ever told. From reinterpreting iconic figures to exploring the fragile line between decision and consequence, he offers insight into how myth can be transformed into something immediate, grounded, and deeply human.




Mary Anne: For readers who may be discovering your work for the first time, could you tell us a little about yourself and your journey as a writer?


Jude Grayson: I have always been interested in history, but more in the people behind it than the events themselves. What someone was thinking in the moment they made a decision that changed everything has always interested me.

Writing grew out of that. It started as something I enjoyed in my own time and gradually became something I wanted to take more seriously. Blood and Bronze is probably the clearest example of what I am trying to do, take a story people feel familiar with and bring it back to something more human and grounded.


Mary Anne: What first drew you to retelling the story of the Trojan War, and what inspired your particular approach in Blood and Bronze?


Jude Grayson: It is one of those stories that is always there in the background. Most people know the broad outline, even if they have never read it properly.

That made it interesting to me. I was less interested in retelling the legend as it is usually told, and more in what it might have felt like to actually be there. Once you look at it that way, it becomes less about myth and more about people making decisions they have to live with.


Mary Anne: The novel centres not just on war, but on the choices that lead to it. Why was it important for you to focus on that initial spark, the moment everything begins to unravel?

Jude Grayson: Because that is the part that feels most real to me.

Wars are often talked about as if they were inevitable, but they are not. They begin with smaller decisions, often made for reasons that make sense at the time. I wanted to spend time in that space, where things could still have gone another way.


Mary Anne: This is a story many readers will already be familiar with. How did you make such a well-known legend feel fresh and engaging?

Jude Grayson: I tried to stay close to the characters and their perspective.

Most people know what happens, but not necessarily how it feels as it unfolds. When you focus on that, the story changes slightly. It becomes less about big moments and more about how those moments come about in the first place.


Mary Anne: You explore iconic figures such as Achilles, Hector, and Helen. How did you approach reimagining such well-known characters while still honouring their legacy?

Jude Grayson: I tried not to overthink them as legendary figures and instead approach them as people first.

They all come with a lot of history attached to them, but underneath that they are still dealing with very human things. Pride, loyalty, fear, expectation. If those elements feel right, you can keep them recognisable without turning them into something completely different.


Mary Anne: Paris is often portrayed in very different ways across retellings. How did you interpret his character, particularly as someone torn between desire and duty?

Jude Grayson: Paris is interesting because he is often simplified, but he sits right at the centre of everything.

I saw him as someone trying to follow what he wants, while also being pulled by expectation and responsibility. He believes in his choices, but he does not fully understand what they will lead to. That gap between intention and consequence felt important to explore.


Mary Anne: The novel brings together multiple perspectives across both sides of the conflict. How did you decide whose voices to highlight, and what each would add to the story?

Jude Grayson: I wanted to avoid a single point of view.

Each perspective brings a slightly different way of looking at the same situation. It helps build a fuller picture and avoids the story feeling one-sided.


Mary Anne: The story highlights both personal and political consequences. How do you balance intimate character moments with the scale of an epic war?

Jude Grayson: I tend to stay with the smaller moments and let the larger ones build around them.

If the characters feel real, the wider events carry more weight naturally. The war is always there, but it matters more when you see how it affects individual people.


Mary Anne: What kind of research or source material did you draw on when building your version of this world?

Jude Grayson: The original sources were the starting point, but I also looked at what we know about the period itself.

Things like how people lived, how they fought, and what their world might actually have felt like. It was important that even though the story is fictional, it still feels grounded.


Jude Grayson: What are you working on next, and what can readers look forward to from you in the future?

I am continuing the story beyond the fall of Troy.

The war is only part of it. What happens afterwards, the journeys home and how people deal with what they have been through, is just as interesting to me. That is where I am focusing next.


Mary Anne:  Was there a particular character you found yourself drawn to more than you expected while writing?

Jude Grayson: Without giving too much away, I found Aeneas becoming a much bigger part of the story than I originally planned.

He is often not given the same attention as characters like Hector or Achilles, but when you look at what happens after the fall of Troy, his role becomes much more significant. That was something I did not fully appreciate at the start, but it developed naturally as I worked through the story, and it is something that will carry forward into future books.

Scroll down to find out more about Jude's fabulous novel:



Publication Date: 8th January 2025
Publisher: ‎Independently Published
Print Length: 447 Pages
Genre: Historical Fiction

The war that destroyed a world began with a single choice.

When Paris of Troy steals Helen from Sparta, he sets in motion a conflict that will pull kings and armies into a war no one can escape.

Across Greece, rival rulers unite. Armies gather, oaths are sworn, and old grudges begin to surface. At the center of it stands Achilles, the most feared warrior of his age, and Hector, the prince sworn to defend Troy at any cost.

But this is not just the story of a war.

It is the story of:

a prince torn between desire and duty
a queen whose choice will shape the fate of kingdoms
and warriors who will chase glory, whatever the cost
As the walls of Troy rise against the might of Greece, ambition, pride, and loyalty will decide who survives—and what is lost.

Because legends are not born. They are made in war.


Head back to the Trojan wars and start your reading adventure HERE. Read with #KindleUnlimited

Jude Grayson


Jude Grayson writes epic historical fiction where war, ambition, and betrayal shape the fate of empires. From the battlefields of ancient Troy to the fractured kingdoms of early China and the rise of the Mali Empire, his novels bring history to life with intensity and realism.

His stories explore the brutal choices of kings and warriors, the clash of loyalty and power, and the human cost behind the rise of nations. Grounded in historical detail and driven by compelling characters, his work is ideal for readers who enjoy immersive, action-driven fiction.

He is the author of Blood and BronzeTyrants and Traitors, and Lion of Mali.