Monday, 17 November 2025

Editorial Review: Millie’s Escape (Hartford Manor Book 4) by Marcia Clayton


Millie’s Escape 
(Hartford Manor Book 4)
By Marcia Clayton


Publication Date: 2nd November 2023
Publisher: Sunhillow Publishing
Page Length: 250
Genre: Historical Fiction

1885 North Devon, England

It is winter in the small Devon village of Brampford Speke, and a typhoid epidemic has claimed many victims. Millie, aged fifteen, is doing her best to nurse her mother and grandmother as well as look after Jonathan, her five-year-old brother. One morning, Millie is horrified to find that her mother, Rosemary, has passed away during the night and is terrified the same fate may befall her granny, Emily.

When Emily's neighbours inform her that Sir Edgar Grantley has also perished from the deadly disease, the old woman is distraught, for the kindly gentleman has been their benefactor for many years, much to the disgust of his wife, Lilliana. Emily is well aware that Sir Edgar’s generosity has long been a bone of contention between him and his spouse, and she is certain Lady Grantley will evict them from their cottage at the first opportunity.

As she racks her brain for a solution, Emily remembers her father came from Hartford, a seaside village in North Devon and had relatives there. Desperate and too weak to travel, she insists Millie and Jonathan leave home and make their way to Hartford before the embittered woman can cause trouble for them. There, she tells them, they must throw themselves on the mercy of their family and hope they will offer them a home.

With Emily promising to follow them as soon as possible, the two youngsters reluctantly set off on their fifty-mile journey on foot and in the harshest of weather conditions. Emily warns them to be cautious, for she suspects Lady Grantley may well pursue them to seek revenge for a situation that has existed between the two families for many years.



In the depths of winter, as a cold bitterness blankets the quaint village of Brampford Speke, an air of despair hangs heavy among its residents. A deadly typhoid epidemic ravages the village, stealing lives and hope alike.

But for the Gibbs family, their trials are only just beginning. 

With Sir Edgar’s death, his wife, Lady Lilliana, can finally throw his husband’s mistress, Rosemary Gibbs, and her family out, but she has other plans for Millie, Sir Edgar’s illegitimate daughter; she wants to see the 15-year-old rot in jail. 

But first, she has to find her.

"Millie’s Escape (Hartford Manor Book 4)" by Marcia Clayton is a captivating addition to the Hartford series, weaving together rich character development and intricate plot twists.

Once again, the reader finds themselves immersed in the story of the ever-expanding Carter family. The close emotional bonds that tie this family together are truly heart-warming and serve as a testament to their enduring love. 

With the death of Sir Edgar Grantley, Lady Lilliana Grantley is consumed by a thirst for revenge. Having endured years of deep bitterness and rage at her husband's infidelity, she now has the chance to extract her revenge. Edgar's mistress lives rent-free on the estate with her two bastard children, whereas Lilliana remains childless, a fact that only exacerbates her resentment. Although the reader may have sympathised with her, they cannot because her actions are truly reprehensible, as she takes out her anger on the wrong people - an old woman, and her husband's children. There is no empathy in her character, making her a decidedly unlikable woman.

Millie is an incredibly resourceful young lady, driven by a fierce determination to reach Hartford, a place her grandmother has described as home to their long-lost family. Accompanied by her younger brother, Jonathan, the siblings embark on a treacherous journey during the harsh depths of winter, where the biting cold and relentless snow create a forbidding landscape. As they traverse the icy terrain, navigating through freezing temperatures, they encounter a wide range of characters—some embodying kindness and generosity, and others who reveal the darker shades of humanity. Despite facing the relentless challenges of their quest, including hunger, exhaustion, and the constant threat of danger from Lady Lilliana, Millie’s unwavering spirit shines through. Her resilience is a beacon, and her sense of responsibility for Jonathan never falters, as she ensures his safety and comfort in the face of adversity. With every step towards Hartford, Millie’s determination grows stronger. She clings to the hope of reuniting with family, fuelling her resolve to overcome any obstacle in their path. No matter how daunting the journey becomes, she remains resolute in her mission to reach Hartford, ready to confront whatever trials await.

Betsey Carter, a character we were first introduced to in the prequel to this series, is now in her golden years. With her husband facing serious health challenges, she is contemplating the difficult decision of retiring from running their beloved pub, a place that has been a cornerstone of their lives but now must be passed on to the next generation. In this instalment of the series, Betsey is finally given the opportunity to unveil a long-held secret that she has guarded for decades and can finally find some closure.

The series features a vast and diverse cast of characters, each intricately woven into the storyline. As a result, "Millie’s Escape" does not standalone. While the author makes a commendable effort to provide background information on key figures, readers who are not already familiar with every character may find it challenging to fully grasp the nuances and implications of this story. To appreciate the richness of the narrative, it is helpful to have an understanding of the complex relationships and past events that shape the characters’ actions and decisions.

The attention to the historical era has once again been masterfully portrayed. From the opulence of the wealthy, with their lavish estates, to the stark realities faced by the impoverished, Clayton has expertly depicted the complexities of late 19th-century North Devon. The stark contrasts between social classes are vividly illustrated, showcasing not only the grandeur of wealth with ornate furnishings and elegant fashion but also the harsh conditions endured by the poorest, who inhabit cramped, dilapidated cottages. The narrative captures the essence of this transformative period, reflecting the societal struggles and moral depravity that often lie beneath the surface of prosperity.

Through this novel, Clayton poignantly illustrates that individuals from impoverished backgrounds often display greater charity and compassion than their wealthier counterparts. The affluent lead lives of privilege and comfort, benefitting from a societal structure that often overlooks the struggles of the less fortunate. The narrative reveals that while virtuous and self-serving individuals can be found at all societal levels, a notable trend is observed among the poor: they tend to support and care for one another, forming a tight-knit community when facing hardship. A powerful example of this dynamic is the treatment of Emily Gibbs, an elderly woman suffering from a severe case of typhoid fever. Lady Lilliana’s callousness towards Emily is disturbingly evident; she treats Emily with utter disdain, reflecting her privilege and lack of empathy. Even the vicar, a supposed moral guide, hesitates to challenge Lady Lilliana’s behaviour. However, he shows a modicum of compassion by ensuring that Emily is sent to the workhouse. In stark contrast stands Annie, a character born into poverty who later ascended to wealth through marriage. Her unique perspective is shaped by her first-hand experience of hunger and hardship. Having lived through the challenges of the lower class, Annie possesses a deep empathy for those who continue to struggle. This duality in Annie’s character illustrates the complexity of class dynamics and highlights how personal experiences can mould one’s approach to compassion and charity in a world divided by economic disparity.

If you have a passion for sweeping family sagas, then the Hartford Manor series is an absolute must-read. This captivating collection weaves together rich narratives, intricate character development, and a vivid portrayal of the historical era, making it an exceptional choice for fans of quality historical fiction.

Review by Mary Anne Yarde
Yarde Book Reviews & Book Promotion

Pick up your copy of
Millie’s Escape 
Read with #KindleUnlimited

Marcia Clayton


A farmer’s daughter, Marcia Clayton, was born in North Devon, a rural and picturesque area in the far South West of England. When she left school, Marcia worked in a bank for several years until she married her husband, Bryan, and then stayed at home for a few years to care for her three sons, Stuart, Paul, and David. 

As the children grew older, Marcia worked as a Marie Curie nurse caring for the terminally ill and later for the local authority managing school transport. Now a grandmother, Marcia enjoys spending time with her family and friends. She is a keen researcher of family history, and this hobby inspired some of the characters in her books. Marcia and Bryan are keen gardeners and grow many of their own vegetables. 

An avid reader, Marcia can often be found with her nose in a book when she should be doing something else! Her favourite genres are historical fiction, romance, and crime books. Marcia has written five books in the historical family saga, “The Hartford Manor Series”, and is working on the sixth. Besides writing books, Marcia produces blogs to share with her readers in a monthly newsletter. 

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Editorial Book Review: May 1940: Destination Dunkirk, The Mission of a "Little Ship" by Michael E. Wills

 



May 1940: Destination Dunkirk, The Mission of a "Little Ship" 
By Michael E. Wills 


Publication Date: 13th November 2025
Publisher: Bygone Ages Press
Page Length: 177 pages
Genre: Historical Fiction

“I am ordered to commandeer this vessel, immediately, for use by the navy and to take command of it!”

The words were spoken by a naval sub-lieutenant to Ben Bainbridge, captain of the motor vessel Bee. The crew of the small ship were unloading a consignment of steel plates on to the quay in Portsmouth dockyard. They were looking forward to sailing back to their home harbour, Newport, Isle of Wight, in time for supper. But that was not to be.

Within thirty-six hours, the Bee was in a sea littered with wreckage, oil spills and floating corpses, dodging lethal bullets and bombs as wave after wave of German aircraft flew overhead.

This is the story of a “Little Ship”, inspired by the diary of the ship’s engineer.



Michael E. Wills presents an evocative tale in his historical fiction novel, “May 1940: Destination Dunkirk, The Mission of a ‘Little Ship.’” This richly crafted narrative is designed to engage both young adult readers and seasoned history enthusiasts alike. 

The story revolves around the daring evacuation at Dunkirk, highlighting how the fleet of civilian “Little Ships,” including the humble Bee, exemplified bravery and sacrifice while rescuing stranded Allied soldiers. As the Bee’s crew navigates wartime perils, the narrative reveals the essence of courage, selflessness, and the indomitable human spirit, immersing readers in the urgency and relentless determination of those involved. Wills’ detailed storytelling transports readers to the shores of Dunkirk, underscoring the central theme of ordinary people displaying extraordinary heroism in desperate circumstances.

In the author’s notes at the beginning of the book, Wills shares that his inspiration for writing this story stemmed from his personal connections with the crew of the Bee, especially the captain. Although the narrative is rooted in historical fiction, Wills masterfully captures the profound and unsettling realities of the rescue operation. His vivid descriptions and poignant insights bring to life the true horrors faced by the crew, immersing the reader in an experience that honours their struggles and sacrifices.

The novel features a tight-knit group of characters, each of whom finds themselves aboard the Bee, whether through design or by sneaking on board. Each character is vividly brought to life through rich descriptions and compelling backstories. 

At the centre of the story is Pearson, a 17-year-old whose hardships and troubled past prepare him for the challenges ahead. His journey is shaped by loss, violence, and institutionalisation, casting him as a complex figure wrestling with pain and anger. As Pearson tries to escape a cycle of violence and find redemption, the narrative uses his perspective to examine how adversity can forge hidden strengths. His transformation at Dunkirk, demonstrating profound bravery and selflessness, reflects the broader theme: even those marked by hardship can rise to acts of remarkable courage through the support and belief of others.

Ben is the rugged skipper of the motor barge. A man of few words, he embodies the essence of hard work and determination. His straightforward demeanour masks a deep understanding of the waterways he navigates with ease. Notably, Ben has mastered the peculiar art of communication, often relying on the single word “um” to convey a range of emotions and thoughts—his preferred expression in both moments of contemplation and conversation. This unique quirk endears him to those around him, as it reflects his straightforward nature and reinforces his character as a reliable, albeit enigmatic, presence on the barge.

Ted, the engineer of the Bee, is an exceptionally determined character, embodying relentless dedication as he sacrifices sleep to ensure the Bollinder engines hums steadily throughout the night. His past as a sub-lieutenant in the army has granted him a deep understanding of the realities of war and its accompanying horrors, shaping his resilient spirit. Throughout the novel, Ted’s steadfast dedication to keeping the boat operational, even in the face of daunting challenges and several near-catastrophic incidents, serves as a powerful testament to his strength of character. Ted’s steely resolve shines through, reinforcing his role as the backbone of the crew and a symbol of hope amidst adversity.

Alf, the seasoned first mate, feels a profound sense of obligation to follow the Navy’s orders, even though the memories of war haunt him. The thought of facing the chaos and violence once more weighs heavily on his mind, but he cannot escape his sense of duty, fearing he would not be able to look his children in the eyes if he does not do his bit.

Bert, the eager young third hand who has just turned eighteen, possesses a strong sense of duty that drives him to remain with the ship. He feels a deep connection not only to the soldiers stranded in perilous situations but also to his fellow crew members, with whom he has formed tight bonds. Wherever the ship is ordered to sail, Bert is resolute in his decision to be there on the deck, ready to face any challenges that lie ahead.

Sub-Lieutenant Russell of the British Navy initially views the crew aboard the Bee with a condescending air, believing himself to be more experienced and capable than they are. However, as he observes their actions, he quickly comes to appreciate their exceptional skills and unwavering commitment to assisting in any way possible. The crew, despite being in a state of uncertainty about their mission and destination, displays remarkable resilience and determination. They are thrust into an unfamiliar situation, yet they proceed with a sense of purpose and camaraderie, ready to face whatever challenges lie ahead without question or hesitation.

When they get to Dunkirk the crew members aboard the Bee came to a stark realisation as they fully grasped the gravity of their mission. After successfully ferrying the soldiers to a larger rescue ship, they had to return to the perilous waters to retrieve more men in need. This daunting task fills them with a deep sense of fear, yet it is eclipsed by an unyielding determination. The camaraderie and courage displayed by the crew of the Bee—and indeed, by all the vessels involved in this heroic rescue operation—creates an incredibly poignant narrative. Their willingness to brave the unknown for the sake of others solidified this story as one of courage and selflessness in the face of adversity.

The exceptional attention to historical detail truly merits commendation. The looming threats from German U-boats, hidden mines lurking beneath the waves, their dominance over the perilous skies, and the ominous presence of the beach create an atmosphere of palpable tension. This striking realism effectively draws the reader into the intense, immersive experiences of the characters. As the protagonists’ manoeuvre through these perilous landscapes, they are acutely aware of the nauseating sight of oil and blood swirling on the surface of the ocean, accompanied by the grim spectacle of bodies entangled with abandoned equipment, each element conveying the harsh reality of wartime chaos.

“May 1940: Destination Dunkirk - The Mission of a ‘Little Ship’ by Michael E. Wills may be brief enough to be consumed in a single sitting, yet its emotional resonance and profound impact will linger with readers long after they have turned the last page. This novel comes highly recommended.

Review by Mary Anne Yarde
Yarde Book Reviews & Book Promotion 

Pick up your copy of
May 1940: Destination Dunkirk, The Mission of a "Little Ship" 

Michael E. Wills

Michael Wills was born in Newport on the Isle of Wight and attended the Priory Boys’ School and later Carisbrooke Grammar. He trained as a teacher at St Peter’s College, Birmingham, before teaching mathematics and physical education for two years at a secondary school in Kent.

After re-training to become a teacher of English as a Foreign Language he worked in Sweden for thirteen years. In 1979 he returned to UK with his wife and young family to start a language school, the Salisbury School of English.

From small beginnings the school developed into substantial business enterprise. Michael retired in 2008 after over forty years in the field of education. Along the way, he was President of Salisbury Chamber of Commerce and Industry and Co-Chair of English UK, the national association of English language training providers.

Currently, Michael is employed part-time as Ombudsman for English UK. He divides his spare time between indulging his life-long interest in medieval history and enjoying his grandchildren, writing, carpentry, amateur radio and sailing.

Michael also has an interest in modern history and has a website relating to the evacuation of Dunkirk in World War II: https://www.iowtodunkirk.com

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Outback Odyssey by Paul Rushworth-Brown

 


Outback Odyssey

By Paul Rushworth-Brown


Publication Date: June 20th, 2025
Publisher: Historium Press
Pages: 342
Genre: Historical Fiction

"Outback Odyssey" tells the story of a young man from Yorkshire who emigrates to Australia in the 1950s under the Big Brother Movement scheme.

In the wake of war and dislocation, young Yorkshireman Jimmy journeys to the outback, chasing escape but finding something far more dangerous: the truth of himself and the land he now calls home.

What begins as a story of survival becomes a profound allegory of belonging, silence, and identity. As Jimmy collides with love and betrayal, he also encounters the enduring wisdom of the First Peoples — knowledge that most outsiders are too frightened to face, let alone write about.

Outback Odyssey is sweeping and cinematic, a novel of resilience threaded with unexpected twists and allegorical depth. Already under consideration for a screenplay adaptation, it peels back the myths of Australia’s past to reveal what lies beneath: the unspoken histories, the inherited traumas, and the courage it takes to walk a path that others fear.

Pick up your copy of
Outback Odyssey

Paul Rushworth-Brown


Paul Rushworth-Brown was born in England and raised in Canada before emigrating to Australia at eighteen, where he became a citizen. By twenty, he had already travelled the world twice, hitchhiked across Australia, and worked as a navvy in outback Queensland — experiences that gave him an enduring respect for resilience, culture, and the landscapes that shape human character.

He later completed a Master’s degree at Charles Sturt University, honing the research skills that underpin his richly detailed novels. A high school teacher and former professional football coach, Paul draws on a lifetime of experience to bring authenticity and depth to his writing.

His novels are known for their cinematic sweep, allegorical undercurrents, and unexpected twists. Outback Odyssey, his fourth book, is a tale of survival and belonging set against the vast backdrop of 1950s Australia. Beneath its page-turning adventure lie questions of identity, silence, and reconciliation — themes that echo long after the final page.

Paul lives in Sydney, where he writes, teaches, and continues to explore the intersections of history and identity.


Connect with Paul Rushworth-Brown:







Ravenscourt by Samantha Ward-Smith





Ravenscourt

By Samantha Ward-Smith


Publication Date: October 31st, 2025
Publisher: Mabel and Stanley Publishing
Pages: 343
Genre: Historical Fiction / Gothic Historical Romance


He wanted to be gone from the dark enclosing room, with its mocking misery, to be gone from this house of nightmares, of shattered dreams, and discovered secrets which could not be put back in the box.


Venice, 1880.


Alexander, Viscount Dundarran, seeks refuge from scandal amidst the fading grandeur of crumbling palazzos during the infamous Carnival in the city. There he encounters the enigmatic Lady Arabella Pembrook—a young, beautiful widow. Both are scarred by their pasts but find solace in each other and a chance at redemption.


But when duty calls Alexander back to England upon his father's death, a darker journey begins. Travelling to Ravenscourt, the decaying estate once belonging to Arabella’s late husband, Alexander must confront the house’s disturbing legacy which has echoed through the generations. Within its walls lie secrets that refuse to stay buried and will threaten everything he thought he knew. But can Alex uncover the truth in time?


Excerpt


They walked slowly up the long leaf-strewn drive, weeds now trespassing where once fine carriages had driven. In the silence their steps crackled on the dead leaves, punctuating the air as if they were being mocked by crackling crones watching from the surrounding trees. Alex fought the urge to turn back, but then the house came into view. Even the trees appeared to stand back from it, as if declaring a disassociation from this place of sorrow, which was stark against the glowering sky. With its elaborate windows, silver turrets, gables and spires, and richly patterned roof, it should have been magical; but as they advanced, Alex could feel the house’s reproach. The windows were all shuttered, so there was no welcoming light or sparkle from the small diamond panes of glass as they approached, nor any comforting smoke coming from the vast array of chimney pots, and the large oak entrance door was firmly shut against the world. Looking up at the clock tower which formed part of the impressive entrance, Alex noticed even the clock had stopped. It seemed to be a place frozen in time. 


Parsons had not spoken on the walk to the house. His geniality at the gatehouse dissipated as they drew closer. There was such utter stillness that when a bird started cawing in the tree above them, both men jumped.


‘Bloody birds,’ muttered Parsons. ‘Of course, they gave this place its name. Ravens.’ He threw a stone at the large black bird, but in doing so he disturbed the woodland around the house, and a thick menace of ravens screeched up into the bleak sky, their large black wings carrying them up to perch on the house itself, the red clay roof turning virtually black. A small piece of masonry fell from one of the carved cervices which adorned the façade. The ravens shrieked with delight.


‘An unkindness of ravens,’ murmured Alex, as he flinched at the unholy sound.


‘A murder more like, and I would murder the bloody lot of them.’ As Parsons produced a large set of keys, the clouds, moving swiftly, cloaked the sky in darkness, making a misery of the day. Alex once again questioned if he should have come, but Parsons had opened the door – which was surprisingly smooth, with no ominous creak – and Alex shook off his fanciful thoughts.


They stepped into a small Gothic cloister with a low vaulted ceiling supported by finely carved stone pillars. Parsons lit a lantern which stood on a table in the style of a stone altar, and in the gloom Alex could see a plain tiled floor. He followed Parsons into the central hall, where the remains of the daylight streamed through the lantern roof which looked down on the cantilevered stairs rising up into the galleries. It was a vast, imposing room which would once have impressed any visitor, but the short burst of sunlight peeping through the clouds exposed the thick lingering dust and the cobwebs between the finely carved oak stair posts. Coverings shrouded the furniture, and the chill of the room was emphasised by the huge, empty stone fireplace which would have once provided warmth. The red patterned stair carpet had been discovered by moths, and probably even mice, and was riddled with fine holes, threadbare in places, and also covered in a thin layer of dust which betrayed the footprints leading up and down the stairs where Parsons and his wife had been so recently.


‘Used to have a staff of one hundred and fifty in its heyday. Now there’s only me and my wife, and we are simply here to keep an eye on things until the young master decides what to do with it when he inherits. I inspect the roofs and attics – make sure the house is dry at least, but it’s a lot for one man.’ Parsons was embarrassed at its state of disrepair.


‘Of course it is,’ Alex concurred, wanting to make clear he was not here to judge the poor man. ‘How quickly a house such as this can fall into such neglect.’


‘Well, even when Sir Charles was alive it had begun to change. Her Ladyship got rid of a lot of the servants in the last month of the master’s life, so it was uncared for even back then. Anyway, we tidied up the study and a bedroom for you, so hopefully you will be comfortable. I’ll show you to the bedroom first.’


Parsons led Alex up the stairs, turning right at the first landing. As they walked towards the next set of stairs, Alex paused to look down into the cavernous hall with its large stone archway leading back to the front door, and smaller arches leading further into the house. He noted the numerous portraits on the green patterned wallpaper, and it was as if the eyes of Ravenscourt were mocking him. Parsons paused at the door on the left and opened it slowly to reveal a charming bedroom with a comfortable-looking four-poster bed, which Alex longed to climb into after his tiring journey. The room had obviously been thoroughly cleaned and aired, as it had none of the neglect of the hall below. Fresh water had been left in a jug on the nightstand, and a fire had been laid, ready for lighting, in the decorative fireplace. A pretty golden armchair was set beside the fire, inviting one to linger in comfort. The wallpaper and drapes were decorated with charming songbirds perched on winding branches.


‘This is one of the turret bedrooms.’ Parsons signalled to an alcove in the corner of the room. As Alex stepped into the octagonal turret, Parsons pulled up one of the blinds and they could see down the leaf-strewn drive. 


‘Best show you the study so I can get back before the rain starts,’ Parsons muttered, noting the gathering storm clouds.


They made their way back down the stairs and Alex could see more dark, shadowy corridors leading off the galleried landings, where doors were shut against forgotten rooms. Alex paused by a fine, full-sized portrait of a man on one of the walls. He was dressed in modern attire, but it was the face that Alex noticed – there was a certain charisma to it. Framed by dark brown hair, the face was handsome; with fine cheekbones, a secretive smile played on the full lips, but it was the dark brown eyes that pulled the viewer in. There was a hint of sadness in them, as if the man longed to step away from the view of the house behind him. There was a large gap next to the portrait where another picture must have hung. 


Parsons noticed Alex studying it. ‘That is Sir Charles,’ he explained. ‘Lady Elizabeth’s picture used to hang next to it until the last mistress came and ordered it to be taken down.’ They returned to the entrance hall, where Parsons opened a large, arched double oak door. ‘This is the library. The study is through this door. We have made you comfortable in there rather than opening this room up, I’m afraid.’


Alex could understand why, as the library was a huge space with its double height ceiling rising up into a timber framed roof. It had a church-like quality to the room but in the shuttered gloom, with its shrouded furniture, it appeared sinister and unwelcoming.


The study however was a small, cosy room with a comfortable set of chairs in front of a carved fireplace and another fire laid ready to be lit. There was a sturdy oak desk, behind which stood large bookcases and red velvet drapes matching the red silk wallpaper. A small portrait of a beautiful, dark-haired lady hung over the fireplace. Holding a small child in her arms, she had such a sweet face that Alex felt comforted by her. It belied the absence that haunted the rest of the house.


Pick up your copy of

Ravenscourt

This title is available to read on #KindleUnlimited.


Samantha Ward-Smith



Samantha Ward-Smith is the author of Tower of Vengeance, her debut historical novel set in the Tower of London during the 13th century, and the forthcoming Ravenscourt, a Victorian Gothic tale unfolding across Venice, London, and the windswept Lancashire moors.

She lived in London for over three decades, building a career in investment banking while also pursuing a PhD in English at Birkbeck. For the past 13 years she has volunteered at the Tower of London, an experience that provided invaluable historical insight and directly shaped her writing.

Now based in Kent by the sea, Samantha continues to explore the intersections of history, place, and story, writing in the company of her two cats, Belle and Rudy.

Author Links:

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