The
challenges of writing a sequel
By
Justin A Orton
I’m deeply honored to be invited back to Mary’s blog
and thought it would be fun to take the opportunity to talk a little about the
challenges of writing a sequel.
This past year has seen significant demands on my time
at work (even authors need to eat, pay the bills, and feed the cat). At
home we’ve just completed a major kitchen renovation (my honey-do list would
rival War and Peace) and last month I finally became a US Citizen!
But despite all this – I have continued to work on my
true passion, which is writing.
Following the release of “To Raise a King” I found
myself embroiled in the minefield of marketing. The Internet seemed suddenly
filled with book promotion opportunities. Weeks went by trying to short list
all the opportunities out there, and those weeks became months as one learned
that not all options were as genuine as they might seem. For a time, I
literally became consumed with trying to gain visibility to my work, when I
should have just been focusing on the sequel. But there was always tomorrow,
and writing the sequel would never be as time consuming or as challenging as
the first novel, right?
Wrong!
My first mistake was the thought that writing a sequel
would be easy.
Gulp. I said that as a guest author
on a blog produced by the author of a stunningly successful series of post
Arthurian novels that many, myself included, have come to love! I’m not worthy,
but I’m here, so I’ll continue…
When writing a novel, a lot of work goes into the
setting and the characters, not just the plot. A great story will be empty
without interesting characters, realistic dialog, and scenes that unfold in
locations the reader can feel, see and smell. With a sequel it would be easy to
assume that work has already been done. The author knows the characters
intimately. They know every detail of the scenes, the settings, and the
costumes. The author has lived with their creations for months, even years, and
the first fundamental mistake one makes is believing the readers know
everything too!
This poses four problems:
• Readers may not start with Book one. So how much do you retell without
boring those that did read book one?
•
• In the unlikely event the readers really do know the characters as well
as the author, then what is left to tell in the sequel? The second book must
have a stunning plot to replace the pages normally spent introducing
characters.
•
• If the readers really don’t know the characters as well as the author
does (or thinks the readers do), then almost as much work goes into
character building in the sequel as went into the initial book, sometimes more!
•
• The author is faced with the challenge of ensuring each character stays
within the framework created in the previous books, or grows in a manner that
is believable and consistent.
Maintaining continuity becomes a nightmare!
Characters often have a nasty habit of changing their
story on you, sometimes in ways you don’t even realize. In a sequel you are not
only continuing the story, but you must also strive to give your readers more.
Each character needs more depth, delighting the reader as they make new
discoveries. As the words start to flow across the page you suddenly realize
that a simple innocent scene in the previous book has impacted book two in ways
you never imagined.
I’ve lost count of the number of times I wanted to go
back and just remove a scene or have someone unsay a line of dialog that at the
time of writing seemed to have no significant bearing on the books to follow
but has annoyingly committed me to a path or history I would not have chosen.
When I began “To Raise a King” I knew who I wanted the
characters to be. I knew their backstories (most of them anyway). I knew how
the entire series would start and end, with a high-level view of the journey in
between. But despite that roadmap I’ve still stumbled.
So, as book two has been written, re-written,
scrapped, and written again, I’ve found myself taking much greater care over
every scene. Everything is analyzed not just for its immediate value to the
story, but for its potential impact on the finale. I’m making much better use
of the writing tools I have (Scrivener), to track characters, locations,
objects and even the weather! That effort now, will allow me to spend far less
time fact checking book three against its two predecessors, which means I will
have more time to spend doing what I and my readers want, which is producing
the next book!
Another unexpected challenge came from the fans. Those
that enjoyed the book and were gracious enough to leave a review or contact me
personally have directly or indirectly impacted some of the events in the next
two books. Side characters that I never expected to see again turned out to be
popular, and some of these (no I won’t tell you who) have found their
way into the series. In some cases, this has meant finding a place for them in
a way that enhances the story, not distracts from it. I must confess this has
been a delightful distraction for me as it has not only challenged me to grow
characters that I didn’t know well, but it feels that I’m really giving
something to the reader that they influenced.
Then there’s the critics. I've had a lot of reviews on
the first book, and even won a few awards. But not all reviews are good, and
not all feedback is kind, but every single review, critique and comment has
been appreciated, and more importantly has had an impact on the sequel. I’ve
learned so much along the way and can honestly say that not only characters
grow through the development of a series, but so does the author. I've tried
very hard to wring every lesson from every comment and it is my hope that those
that enjoyed “To Raise a King” will love “To Save a Queen”.
So, if I haven’t bored you to tears yet, allow me to
tell a little about the upcoming book, which is now going through its final
author cut before being sent for editing.
To
Save A Queen
*Possible spoiler alert for To Raise a King.*
“To Save a Queen” picks up right where the first book
ended. “To Raise a King” focused heavily on stage setting, and backstory, with
Matt’s immediate quest to recover the fragments of Arthur’s crown. The sequel
focuses more on the characters as they jostle for position in preparation for
the final showdown.
An exhausted Morgause, now in possession of the Rod of
Dardanos must crush the newly returned Arthur before he can rise to challenge
her, but that leaves the upstart Aldivon at her back.
Aldivon, in possession of the Crystals of Dardanos,
has retreated, his plan to overthrow Morgause and Merlin in tatters. Should he
seek an alliance or fight on? His prisoner, Valina, may hold the answer as she
comes to understand that Aldivon’s mind is not necessarily his own.
Merlin has collapsed. Pushing himself too far, he has
drained himself to the point of death, and Matt finds himself torn between love
and loyalty as Arthur and Lancelot struggle to put their differences aside.
Amid this three-way power struggle a fourth character
emerges. Hunted by the queen, Guenevere narrowly escapes death, and decides to
take matters into her own hands.
With the future of the world hanging in the balance,
each group finds themselves embroiled in a bitter effort “To Save a Queen”.
I wish I could provide a release date for “To Save a
Queen”, but all I can promise is 2019. I am working hard on the project, but I
want to bring you a tale of magic, mystery, romance and action that will leave
you clamoring for the final installment. You’ve had to wait, but I hope you’ll
find it was worth it.
Now, in closing I would like to offer heartfelt thanks
to my readers, critics, friends and family. You’ve encouraged and challenged
me! Lisa, my wife, who despite the afore mentioned “Honey Do” list knows how
important my journey as an author is to me, thank you for your support.
And finally - special thanks to Mary for allowing me a
place on her ever-popular blog.
Happy reading everyone!
Justin
Justin A Orton
I
spend most days delving into the world of computer code and unraveling
programming mysteries for many major corporations, but my true passion is
fictional writing.
My work is always supervised by Oliver (my cat), who’s four-legged contributions can often be found in both my coding and writing (all spelnig errors r stritcly his!).
I was born and raised in England, but now live with my beautiful wife Lisa in Florida (famous for its theme parks, beaches, the occasional hurricane, and a certain mouse).
My hobbies include: reading, movies, history, travel (I want to see mountains again Gandalf – mountains!), and exploring the latest gadgets and gizmos.
I’m rather fond of single malt scotch and it’s not uncommon to find me of an evening, sipping on a fine dram, while pondering how to get a character out of the very awkward situation I recently put them in!
Justin
loves to hear from readers, you can find him: Website • Twitter • Facebook • GoodReads.
A very timely post for me as I am writing my first series after a set of standalone novels. Thank you for these thoughts - plenty for me to ponder!
ReplyDeleteWait until you get to book 7 in a series. Then you will worry about consistency and back-story, and old situations, and jealousies etc...I have to re read my own books to remember it all!
ReplyDeleteSuch a great post, Justin.
ReplyDelete