Wednesday, 21 August 2024

The hunt for power is on, where only one side can emerge triumphant. But just who among these hunters will end up hunted?





Roman Equestrian I: Venator 
By A. M. Swink


Publication Date: July 16th, 2024
Publisher: Historium Press
Page: 464 Pages
Genre: Historical Romance

Britannia, AD 59. Decimus is a long-serving senior centurion who dreams of retirement in Rome. Luciana is a Cornovii princess devoted to the freedom and survival of her tribe. Connected only by a passion for horsemanship, the pair could not be more ill-matched. After a deadly conflict thrusts these enemies together, each is determined to fight their desires and triumph over the other. Who will ultimately control the other’s heart? 

But Decimus and Luciana are not the only ones on the hunt for supremacy; a desperate struggle over the province is beginning to simmer to a boil. There are whispers of mysterious Druids fomenting unrest among the western British tribes, whose inter-tribal divisions threaten to subsume them. The future of the Roman legions in the province is suddenly thrown into doubt as casualties begin to mount. Decimus and Luciana find themselves entangled within a web of characters, Briton and Roman, playing with Britannia’s destiny to serve their own ends. 

The hunt for power is on, where only one side can emerge triumphant. But just who among these hunters will end up hunted?

   Excerpt

Cassia watched the water of the Sabrina rippling before her. She stood on the bank, fists clenched, concentrating on the spot where the river had swallowed her angry offering.

‘Are you happy now?! Are you happy?! I don’t want it anymore!’ Angry tears flowed down the rivulets they’d carved into her painted cheeks. ‘Not at your price!’

She panted, staring bleakly up into the silent trees looming on the opposite bank. She’d wandered downriver for quite a stretch, making sure she was far enough away from the vicus and its shallow wharves for nobody to see or hear her. The relative seclusion of the overgrown bank she’d chosen received and deadened her cries.

Cassia clutched at the palla wrapped about her head and sank down into the stiff, broken reeds. She watched the water burble past her feet, offering no acknowledgement of her presence or, indeed, her gift.

Her fingers numbly curled around the thick rushes and snatched them up from the earth. With an anguished shriek, she threw the reeds into the water as well and watched them swirl away with the current. ‘And don’t expect any sort of dedication, either! You can’t bring him back, so you’re lucky that’s all you get!’

A wood pigeon cooed from the shadows of the treeline. Cassia looked up, shoulders heaving, searching the cloudy sky. She didn’t know what British deities might have attached themselves to this river; she knew that the natives both here and in Germania felt the need to sacrifice items of high value to their bodies of water, so there must be something here. When it came to Roman gods, she wasn’t sure if they could even hear her at all in this heathen wasteland. If the Fates could hear her now, she was sure they’d be cackling.

She sighed and dropped her head into her hands. Her palla slipped from around her shoulders and collapsed in the reeds behind her. Ultimately, it didn’t matter if any gods, British or Roman, heard her or not. Cato wasn’t coming back. He was gone. Forever. Her only brother, her only sibling, the only person who shared a bond forged from the very beginning of their respective lives with her.

Her only family, gone.

She drew her knees up against her chest and furiously wiped her tears against the cotton folds of her toga. A pang of remorse tore through her as she rested her quivering chin upon her knees and studied the muddy brown currents. It had been foolhardy of her to throw it in the river; it wasn’t going to change anything for Cato, and it might have successfully…

No. It was too late. It belonged to the barbarian river gods now. Best not to think about it.
She sniffed, considering her bleak fate. She was all alone in this world now. Her sole remaining bond was with Decimus, a man so insensitive to love he’d failed to see in the last twenty years how deeply she’d always cared for him.

‘You could at least give me that much,’ she mumbled to the river. ‘If you can’t give me back Cato, at least let me have Decimus. And I don’t mean physically, either.’

She scowled, folding further into herself. She had been his very first, the person who’d initiated him into the world of sexual fulfilment. It was just her luck that he’d learned to treat it as coldly and clinically as she herself had been forced to.

‘It never meant nothing to me,’ she whispered into her tunic. ‘Never with him. Not ever.’

And Cassia had bedded Decimus plenty since that first time. A grim smile pulled at the corners of her mouth as she remembered following him to the Rhenus valley, setting herself up as Charis’s star attraction in the canaba of army followers. She’d witnessed her dear friend take his first steps into battle and celebrated gleefully upon his safe return. He’d come to her after being blooded from his first successful hunt, still brimming with manly pride. She’d oiled his sore chest after his promotion to the centurionate and its attendant rites, and again after he’d withstood the initiation into his mysterious cult of Mithras. She’d laughed with him over the ineptitude of his fellow legionaries and delighted in his wry impressions of the officers. She’d succoured him in loss. She’d dutifully brought and fed broth to him on his sickbed. He’d shared his confidences with her and they had mutually commiserated over the state of German food, sweltering German summers, and the horrific guttural tongue of the savage Germanic peoples. Then, she’d had to swiftly return to Rome to attend to family matters…

…And when she’d reunited with Decimus two years later, it was in a place somehow even worse than Germania: Manduessedum.

She drew in a shuddering sigh, casting her mind back over the years to when she’d first sighted the centurion in Britannia. He’d changed, oh, how he’d changed! Gone was the gentle light with which he’d always spoken to her; gone was his charm and sense of humour; gone was his companionable chatter. He was cold. He was brusque. He was disfigured with horrific scars he’d earned in the invasion. Even on the rare occasion when he’d felt the need to visit her bed, his loveless lovemaking had become crueller. And, worst of all, he remained emotionally closed to her. Her, his dearest friend!

Cassia sniffed, mouth curled down into its customary pout. Britannia had stripped Decimus of any remaining vestiges of youth and happiness. And she hated the place for it.

Perhaps this dreaded isle was cursed. It had certainly brought her nothing but misery.

‘Give him back,’ she intoned to whatever water spirits might be listening, ‘whoever you are, whatever you are called, preserve us and tolerate us both on your shores for just six seasons more, then I promise we will leave and never trouble you again. Let us leave and release your hold upon him. Give me back the Decimus you took.’

She lurched slowly onto her feet, brushing the reeds from her toga. Charis’s business would be heating up shortly and Cassia would catch it from the madam if she wasn’t ready to ply her services at the moment when every other younger, prettier prostitute was already occupied. She set her narrow shoulders and readjusted the drape of her toga over her tunic. 

Before leaving, she leant over the bank and peered into the water. Her reflection rearranged itself into her brother’s freckled face and she choked on her grief once more. 

‘It’s the least you can do for me now!’

Pick up your copy
Roman Equestrian I: Venator 

A. M. Swink


A native of Dayton, Ohio, A.M. Swink grew up obsessed with two things: books and horses. After a childhood of reading, writing, showing, and riding, she moved to Lexington, Kentucky to complete a degree in equine science and management and a degree in English literary studies. She now works in Lexington as a college professor of reading and writing. In her spare time, she has travelled extensively around the UK and Ireland, exploring ancient sites and artefacts, as well as tracing her own ancestry. She is proud to be descended from County Cork’s Callaghan clan.

When not writing, she can be found collecting and showing model horses or enjoying her favourite British comedy programmes.

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Tuesday, 20 August 2024

Book Review - Leaving Fatherland by Matt Graydon

 


Leaving Fatherland
By Matt Graydon


Publication Date: 20th August 2024
Publisher: Cranthorpe Millner Publishers
Page Length: 376 Pages
Genre: Historical Fiction

Oskar Bachmann always imagined that giving his first lecture would be the defining moment of his life. It was, but not in the way he expected... Growing up a misfit in Nazi Germany, a victim of his father's beatings, Oskar's love of books is a constant comfort in a world turned upside-down by violence. As a student, as a pilot in the brutal Luftwaffe during the Second World War, in an unhappy marriage to an English bride, he finds himself returning over and over to the circumstances of his childhood. What was the source and cause of his father's abuse? Could there have been more to it than he had once believed? Little did Oskar know that his first lecture at the University of Tubingen would ultimately lead to the end of a lifetime of searching... and finally reveal the figure who had been controlling his life from a distance.




Oskar Bachmann does not know why his father, Karl, dislikes him. Despite Oskar’s sincere desire to gain his father’s respect, his efforts only exacerbate his father’s animosity. And so, he must suffer the brutal punishments and the constant mental abuse. His mother is the only person he can turn to for comfort.

Due to the growing popularity of the National Socialist German Workers’ Party and Karl’s escalating violence towards Oskar, Aneta realizes she must get her son out of the country to ensure his safety. Thankfully, Oskar is blessed with a quick mind and a deep thirst for knowledge. He secures himself a place at the University of New York, but even in New York, he finds himself unwillingly drawn back into the folds of the Fatherland.

Matt Graydon’s gripping historical fiction novel, Leaving Fatherland, captivates readers with its compelling storytelling and unforgettable characters. Keep some tissues nearby when you read this book, as it’s quite an emotional journey. The way Graydon comprehends and expresses the complexities of human existence, including its frailty and strength, is a testament to his greatness as a novelist. Moreover, Graydon possesses a sharp intuition for what makes a book engaging and compels readers to continue reading. 

Oskar’s moral and psychological development takes centre stage in this novel. Fate has a way of drawing Oskar back to the Fatherland. Although he wishes to stay in New York, the circumstances have rendered that choice impossible, forcing him to join the Luftwaffe and engage in combat against the Allied Forces. He does not want to fight, nor does he want to die, and his fear of death is palatable. Although some pilots enjoy the excitement of battle and brag about killing civilians, Oskar is deeply disgusted by the notion of taking someone’s life. Oskar finds himself in some very sticky situations when in combat, but somehow, he manages to survive while others do not, causing further emotional strain on his already fragile mental health. When reading, it’s impossible not to wonder why he survives and how he manages to land on his feet every time. Oskar is clueless about the identity of this influential friend who looks out for him, and he avoids thinking about it too much - he is too busy living in the moment to wonder how his mother paid for his passage to America and why he always seems to land on his feet. He certainly doesn’t find any answers with his nose buried in books; it’s only later in the novel that he reflects on his experiences and starts questioning why. Why him?  External forces constantly influence his life, right up until the end, and the emotional upheaval caused by others leaves a lasting impact, making his story a tragedy. As a result, readers can genuinely empathize with him and acknowledge his inherent goodness. 

The author investigates the exploration of the dynamics within parent-child relationships. Oskar endures ongoing physical and mental abuse from his father, and this significantly impacts Oskar’s role in the family, and of course his life. The portrayal of him being beaten is extremely distressing, and his efforts to conceal the bruises with his mother’s makeup are heartbreaking. Oskar often compares himself to his brother, Emil, who can do no wrong in his father’s eyes. Emil is completely different to him, he follows in his father’s footsteps, he is a member of the Hitler Youth, and he is everything Oskar is not and could never be. Oskar isn’t a bully like his father and sibling. The author also conveys a sense of comparison between Oskar’s father and the Nazi Regime. His mother, in stark contrast to her husband, is a compassionate and kind woman who strives to protect Oskar despite her inability to confront her husband. She encourages his love for reading and she knows that for him the only way out of this situation is a decent education away from Germany. So, she sends him to New York and hopes that he has a better future than the one she is facing. He is driven to study psychology because he wants to know why his father treats him as he does, but without really knowing him, he can only guess the reason. The abuse he suffers as a child stays with him throughout his life, he never truly recovers from it. Ironically, in later life, Oskar finds it hard to connect with his own children, and thus generation trauma continues to the next generation. 

While the story primarily centres around Oskar’s life, the author briefly shifts focus to Oskar’s father, Karl. The Reich highly values the work of Karl and Herr Weigl, but Karl’s vulnerability to material temptations leads him into a situation he cannot handle. He promptly recognizes he’s in over his head, but his situation spirals out of control and he quickly finds himself in deep trouble. Karl serves as a reminder of the Nazi’s human experimentation program, specifically targeting what they considered “sub-humans.” The extent of suffering faced by those who were considered racially inferior (most notably the Jews) in the quest for medical progress is highly disturbing, serving as a stark reminder of the utter cruelty of the Nazi regime. It’s ironic that Oskar and Karl, with opposing views on the Nazi party, both find themselves considering leaving the Fatherland. 

This book should be praised for its meticulous historical detailing. Graydon has skilfully portrayed not only one but multiple eras - it is, after all, the narrative of Oskar’s life. Graydon has a novelist eye for detail, not only with regard to the history of the eras, in which it is very obvious that he has spent many hours researching, but also in the study of human fallibility. Graydon has created characters that are very real in the telling and has crafted an utterly compelling plot.

Leaving Fatherland by Matt Graydon is a gripping novel that compels readers to keep turning those pages. Once you start reading, it becomes nearly impossible to put down this book. For readers who appreciate well-crafted Historical Fiction that immerses them in the World War II era and beyond, this book is an essential addition to their collection. It is a narrative that will leave an indelible mark on readers’ minds.

Review by Mary Anne Yarde.


Pick up your copy of
Leaving Fatherland
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Matt Graydon


Matt Graydon has always written stories, first as a schoolboy, then as a journalist and PR and now, in the culmination of his life’s work, as a writer of striking historical fiction. He likes to explore offbeat perspectives, inspired by true stories, especially in his tales of life in wartime. In his recently published short story, Saigo No Tatakai, his account of a kamikaze attack on a British warship is seen through the eyes of both the pilot’s wife and a Royal Navy sailor who witnessed it up close.  Now, in his first novel, Leaving Fatherland, inspired by a true story, Graydon tells the tale of a liberal German who returns home from his life as a New York university student to fight for the Nazis.

Matt is half-Irish, grew up in a loving but strictly religious home and spent many months in hospital beds as a child. Now he enjoys spending his non-writing time standing in remote fields at night viewing and photographing stars and galaxies through his telescope, or attempting to keep his unruly Surrey garden in check. He lives in the one-pub village of South Nutfield with his wife and daughter, and sometimes son, who easily exceeded his father’s one year stay at university in the 1980s. Oh, and the family Cockapoo, Ozzy, a regular companion under the armchair, inherited from his grandpa, where he writes. Well-travelled, his passion for writing was ignited, at age 21, during a three-month, action-packed, hitch-hike across the USA, when his escapades made great material for an in-depth diary and, perhaps, one day, story.

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Monday, 19 August 2024

A Life of Love and Scandal.



Penelope - Tudor Baroness
 (The Elizabethan Series Book 4)
By Tony Riches


Publication Date: 5th June 2023
Publisher: Preseli Press
Page Length: 338 Pages
Genre: Historical Fiction

A Life of Love and Scandal

Lady Penelope is one of the most beautiful and sought-after women in Elizabethan England. Daughter of the queen's nemesis, Lady Lettice Knollys, Countess of Essex, she becomes the stepdaughter of Robert Dudley when he marries her mother in secret.

Penelope's life is full of love and scandal. The inspiration for Sir Philip Sidney’s sonnet Astrophel and Stella, she is inevitably caught up in her brother Robert's fateful rebellion.

A complex and fascinating woman, her life is a story of love, betrayal, and tragedy. Discover how Penelope charms her way out of serious charges of treason, adultery, and forgery, and becomes one of the last truly great ladies of the Tudor court.

A maid of honour to Queen Elizabeth, Penelope outlives the end of the Tudors with the death of the old queen and the arrival of King James, becoming a favourite lady-in-waiting to the new queen, Anne of Denmark.

Pick up your copy of Penelope - Tudor Baroness

Tony Riches


Tony Riches is a full-time UK author of best-selling Tudor historical fiction. He lives in Pembrokeshire, West Wales and is a specialist in the history of the Wars of the Roses and the lives of the Tudors. For more information about Tony’s books please visit his website and his blog, The Writing Desk and find him on FacebookTwitter and Bluesky  You can find out more about his research on his popular podcast series, ‘Stories of the Tudors’ 



Friday, 16 August 2024

'For is it not the wish of every man that his son will achieve more in life than he did?'

 


Oscar's Tale 
By Chris Bishop


Publication Date: 19th December 2023
Publisher: Historium Press 
Page Length: 183 Pages
Genre: Historical Fiction

The story of a Saxon boy who sets out to find and rescue his father who has been taken by Viking slavers.


Set in 877 as the people of Wessex are forced to fight not just for their very lives, but for their freedom, their religion and for their right to live as Saxons, Oscar relates all that which befalls him on his all but impossible quest. This is set against the backdrop of King Alfred’s desperate attempt to regain his kingdom which culminates in a victory at the Battle of Edington which is very much against the odds. 


But this is not just a story about bloody battles and fearsome warriors, it’s about a boy struggling to live up to his father’s reputation as a warrior and trying to find his place in a turbulent and uncertain world. For that, Oscar is forced to confront many dangers, earn the respect of others far above his station and even find love – albeit the cost to him is far higher than most men would have been willing to pay.


Pick up your copy of
Oscar's Tale

Chris Bishop


Chris was born in London in 1951. After a successful career as a Chartered Surveyor, he retired to concentrate on writing, combining this with his lifelong interest in Anglo Saxon history.

His first novel, Blood and Destiny, was published in 2017 and his second, The Warrior with the Pierced Heart, in 2018, followed by The Final Reckoning in 2019 and Bloodlines in 2020. Together they form a series entitled The Shadow of the Raven, the fifth and final part of which - The Prodigal Son – was published in 2023.

Chris has also published numerous blogs about his work.

His other interests include travel, windsurfing and fly fishing. 

Chris is a member of the Historical Writers Association.

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Thursday, 15 August 2024

Return to the Eyrie is an epic coming-of-age tale of a young woman's unwavering pursuit of justice and destiny in 15th century Hungary.

 


Return to the Eyrie 
By Katerina Dunne


Publication Date: 30th April 2024
Publisher: Historium Press
Page Length: 404 Pages
Genre: Historical Fiction (Medieval) / Historical Romance

Honour, revenge, and the quest for justice.

Belgrade, Kingdom of Hungary, 1470.

Raised in exile, adolescent noblewoman Margit Szilágyi dreams of returning to her homeland of Transylvania to avenge her father's murder and reclaim her stolen legacy. To achieve this, she must break the constraints of her gender and social status and secretly train in combat. When the king offers her a chance at justice, she seizes it—even if it means disguising herself as a man to infiltrate the vultures' nest that now occupies her ancestral ‘eyrie’.

Plagued by childhood trauma and torn between two passionate loves, Margit faces brutal battles, her murderous kin's traps and inner demons on her quest for vengeance. Only by confronting the past can she reclaim her honour—if she can survive long enough to see it through.

Return to the Eyrie is an epic coming-of-age tale of a young woman's unwavering pursuit of justice and destiny in 15th century Hungary.

  Excerpt

As they emerged into the great hall, Margit’s chest brimmed with wonder. She surveyed the chamber with eyes and mouth open wide to absorb every detail of the treasures that lay there. Sasfészek was not simply her ancestral home but her inheritance too—a legacy connecting her ancestors to future generations through her.

Although smaller than the great hall in King Mátyás’ palace, an air of grandeur filled the space. Tapestries lined two of the walls, their colours so vivid that they seemed about to leap out of their golden-threaded borders. In a strange, but by no means sacrilegious, blend of Christianity and pagan Magyar legend, the first tapestry depicted The Last Supper while the other displayed the Wondrous Stag chased by the hunters Hunor and Magor.

What inspired hands had crafted these? Enraptured, Margit reached out to stroke the lush fabric, sending ripples through the hanging with the stag. Her fingertips tingled. Between the two, this was her favourite scene.

To her left, arched windows let the languid sunlight flood the hall and cast vibrant stained-glass shadows that danced across whitewashed walls. Margit’s eyes chased the multi-hued shapes, falling at last upon the vaulted ceiling, decorated in splendour with intricate carvings on its wooden beams.

Her gaze shifted across the chamber, heart swelling at the Szilágyi of Szentimre crest of sculpted marble ensconced above the fireplace. Margit bowed her head, sparing a moment to pray for the souls of her ancestors, men and women, who had built and defended this haven time and again.

The family coat of arms appeared also on a banner hanging from the cornice of the wall on the right, beside the flag of the Siebenbürgen. Whether out of pride or for show, her cousin seemed to honour both his Magyar and Saxon legacy. A third flag, that of the kingdom of Hungary, proclaimed the family’s loyalty to the Crown. Margit sneered. The Szilágyi family’s loyalty certainly; but what about Márton’s?

Ilona nudged Margit out of her thoughts. “I see the tables are already in place.”

The main dining table, made of solid wood, stood on a dais central to the hall. Margit counted seven high-backed chairs along its side; the middle one the most ornate. Márton’s surely.

This will be my seat one day, with Endre by my side. 

She turned to Ilona. “I assume the lord and his guests will sit there. Who will sit at the side tables?”

“The officers, the voivode’s knights and his niece’s maidservants.”

“Of course,” Margit mumbled absently. The seating arrangements were inconsequential. Only the knowledge of her family and her childhood memories mattered.

As she turned her back to the tables, her eyes fell on a display cabinet standing in the corner by the door to the kitchen. Her jaw dropped. How had she missed that? 

A full suit of armour—old-looking, scratched and dented—with the family crest engraved on the breastplate was mounted on a stand inside the cabinet.

Why is it here and not in the armoury or my cousin’s chamber?

“Tell me, Ilona, does the armour belong to Lord Márton? Does he wear it? I heard he never goes to war.”

The maid shook her head. “It’s not his. It belonged to the previous lord, his uncle. And so did the weapons.”

Margit’s breath caught at the sight of her father’s knightly equipment: the misericorde, the cross-hilted sword, the spiked horseman’s axe and the cavalry shield. His coat of arms adorned them all although the colours of the crest painted on the shield had faded with time. For a heartbeat, Margit thought she saw bloodstains on the axe’s blade. Real or imagined? It mattered not; the grief of her loss tore through her anew.

Tears flooded her eyes and then flowed unchecked as she took in the relics of the man she barely knew; the armour he wore and the weapons he wielded in life, now remnants of his valour and love for his homeland.

Turning swiftly, she wiped her cheeks before Ilona glimpsed her sorrow. She shifted her gaze elsewhere—anywhere but on the lingering imprint of her father’s ghost in this hall. There would be time to grieve when she would do so freely. For now, she must keep her eyes dry and steel her heart and spirit lest she raised suspicions and questions impossible to answer.

Pick up your copy
Return to the Eyrie 

Katerina Dunne


Katerina Dunne is the pen-name of Katerina Vavoulidou. Originally from Athens, Greece, Katerina has been living in Ireland since 1999. She has a degree in English Language and Literature from the University of Athens, an MA in Film Studies from University College Dublin and an MPhil in Medieval History from Trinity College Dublin.

Katerina is passionate about history, especially medieval history, and her main area of interest is 13th to 15th century Hungary. Although the main characters of her stories are fictional, Katerina uses real events and personalities as part of her narrative in order to bring to life the fascinating history of the medieval Kingdom of Hungary, a location and time period not so well-known to English-speaking readers.

Return to the Eyrie (published April 2024) is the second book in the Medieval Hungary series, a sequel to Lord of the Eyrie (published in February 2022).

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Wednesday, 14 August 2024

…for a young woman of honor, only the heart can guide the way.



Véronique’s Journey
By Patti Flinn


Publication Date: 1st September 2022
Publisher: Gilded Orange Books 
Page Length: 73 Pages
Genres: Historical Fiction

In 18th century France, the choices for a young black woman of modest means are slim.

Véronique Clair loves her parents and their small home in the countryside of Burgundy but dreams of using her talent for sewing and embroidery to make her own way, without having to rely on a man.

When Véronique’s well-meaning parents find her a suitor of elevated station their happiness turns into her despair. Véronique must make the difficult choice between agreeing to an arranged marriage–with its promise of elevated status in society–or embark upon an unpredictable journey across France and into a world she’s never known.

…for a young woman of honor, only the heart can guide the way.

 

Pick up your copy of
Véronique’s Journey





 






Two women meet in a Dublin café on a winter afternoon – an encounter that will change both their lives forever.


A Good Enough Mother
By Catherine Dunne 



Publication Date: 18th June 2024
Publisher: Betimes Books 
Page Length: 318 Pages
Genre: Family Saga

Two women meet in a Dublin café on a winter afternoon – an encounter that will change both their lives forever.

Tess has no idea who this woman Maeve is, or why she has approached her like this, out of the blue. She says that she has important information about Tess’s younger son, Luke, and she insists that Tess needs to listen.

As Maeve’s story unfolds, Tess has the strangest feeling that she knows her from somewhere – but she can’t locate her in any of her memories. As the evening darkens and the café around them seems to grow still, Tess listens in growing distress. The safety of the life and family she has created begins to come apart at the seams.

The fractured lives of mothers and children are woven together in this multi-layered narrative, reminiscent of the creation of a patchwork quilt.


Pick up your copy of
A Good Enough Mother
HERE!

Catherine Dunne


Catherine Dunne is the author of twelve novels, several essays and one work of non-fiction. "An Unconsidered People" documents the lived experience of Irish immigrants in Britain in the dismal years of the 1950s. Catherine’s novels have been shortlisted for a number of prizes, including Novel of the Year at the Irish Book Awards and the International Strega Prize.

"The Things We Know Now" won the Giovanni Boccaccio International Prize for Fiction in 2013 and "The Years That Followed", published in 2016, was longlisted for the International Dublin Literary Award. Her latest novel, "A Good Enough Mother", won the European Rapallo BPER Banca Prize for fiction in November 2023. Her work has been translated into several languages, she was the recipient of the 2018 Irish PEN Award for Outstanding Contribution to Irish Literature and is a member of Aosdána.

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Tuesday, 13 August 2024

When a British RAF Whitley plane comes under fire over the French coast and is forced to drop their cargo, a spy messenger pigeon finds its way into unlikely hands…



The Secret Pianist
By Andie Newton

Publication Date: 12th January 2024
Publisher: One More Chapter
Page Length: 338 Pages
Genre: Historical Fiction

Sisters. Traitors. Spies.

When a British RAF Whitley plane comes under fire over the French coast and is forced to drop their cargo, a spy messenger pigeon finds its way into unlikely hands…

The occupation has taken much from the Cotillard sisters, and as the Germans increase their forces in the seaside town of Boulogne-sur-Mer, Gabriella, Martine and Simone can’t escape the feeling that the walls are closing in.

Yet, just as they should be trying to stay under the radar, Martine’s discovery of a British messenger pigeon leads them down a new and dangerous path. Gaby would do anything to protect her sisters but when the pianist is forced to teach the step-daughter of a German Commandant, and the town accuses the Cotillards of becoming ‘Bad French’ and in allegiance with the enemy, she realizes they have to take the opportunity to fight back that has been handed to them.
 
Now, as the sisters’ secrets wing their way to an unknown contact in London, Gaby, Martine and Simone have to wonder – have they opened a lifeline, or sealed their fate?

Pick up your copy of
The Secret Pianist

Andie Newton


Andie Newton is the USA Today bestselling author of The Secret Pianist, A Child for the Reich, The Girls from the Beach, The Girl from Vichy, and The Girl I Left Behind. She holds a bachelor’s degree in history from Washington State University and a master’s in teaching. When she’s not writing gritty war stories about women, you can usually find her trail running in the desert and stopping to pet every Yellow Lab or Golden Retriever that crosses her path. She lives in the beautiful Pacific Northwest with her family.

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