Showing posts with label #HisFic #historicalfiction. Show all posts
Showing posts with label #HisFic #historicalfiction. Show all posts

Friday, 25 March 2016

Historian, David AC Maile, talks of all things Hereward. @DavidACMaile


  Arthur and his Knights are, as we have discovered, surrounded by myth and folklore, but they are far from the only ones in British history that have, thanks to the passage of time, become something of a legend. There is another, equally fascinating character that I think will also spark your interest. You may, or may not, have heard of him, but his story is certainly worth taking the time to hear. His name is Hereward and he led the most extraordinary life. However, I am not the one to tell you about him. I have invited historian David AC Maile on to the blog today, to tell you about "England's 1st identifiable defender of civil rights."
The many guises of folklore legend Hereward the Wake have blurred the fact that he is a historical figure – even the appellation ‘the Wake’ (the alert/ the ever watchful over his folk) is said to be a much later invention – yet we can identify his existence from entries in the Anglo Saxon Chronicle and Domesday Book, the two most reliable sources of the age.


Hereward’s claim to fame came as a rebel leader when, armed with a multitude of dissidents, peasants and refugees, he made his stand at Ely against the might of William the Conqueror. The English Crown may have fallen at the Battle of Hastings in 1066 but five years later the impenetrable Isle of Ely in the East Anglian Fenlands was refusing to yield to the ‘Norman Yoke’.
Before the drainage of the Fens began in the 17th Century Ely was an island and the surrounding fenland gave it a natural defensive network of flowing rivers, great meres, swamp and bogs and vast swathes of reed beds and Willow trees. Not the kind of terrain that William’s armour-clad knights on horseback could comfortably traverse.


The Gesta Herwardi, written in the early 12th Century, describes Hereward as a handsome, muscular, troublesome youth, who was exiled from England at the age of 18 and was from that time on known as ‘The Outlaw’.

Recent studies have shed light on his career as a mercenary soldier in Flanders from where it is said he returned around the late summer of 1067 to claim his inheritance after learning of his father’s death.


Over the ensuing three years insurrection broke out across the country - Dover, Exeter, Hereford, Warwick, Durham, York, and Chester and many others were, for the most part, savagely and mercilessly beaten-down and quashed - with thousands upon thousands slaughtered or left to perish in the devastation and ethnic-cleansing that came to be known as the ‘Harrying of the North’.
 
In 1070 the prelate Lanfranc of Bec came to England and William appointed him Archbishop of Canterbury. Lanfranc immediately set about revamping the English Church. Many Monasteries and Abbey’s experienced English clergy being replaced by French. William had imposed a new governing elite with new laws, a new language and a new Church. Very few English retained their title and land, most were in servitude. 
Hereward, it appears, took exception to this. He was one of many dispossessed landholders and had close ties with Crowland and Peterborough Abbeys.
'And all the folk of the Fenlands came to them thinking they would win all the land.'  - Anglo-Saxon Chonicle

On June 2nd 1070, in response to the news that a Norman Abbot named Turold was about to take over, Hereward ‘and his band’ ransacked Peterborough with a Danish ‘Viking’ host led by Earl Osborne and Bishop Christian of Aarhus. They stole gold and silver of great value from a monastery known as the ‘Golden Borough’ because it rivalled Glastonbury and Ely in wealth. They then made their way to the Isle of Ely apparently on the invitation of Abbot Thurstan who feared the same fate for Ely.
‘they did all manner of evil things’  - The Peterborough Chronicle of Hugh Candidus.
All the participating rebels were subsequently excommunicated by the Church. To the fanatically pious English Churchmen of the time – where everything that happened, happened by God’s will – Hereward’s raid on Peterborough Abbey was likely viewed as the work of the devil-incarnate.
The Danes however soon left with much of the loot, some say bought off by William. Hereward was then joined by a number of prominent English nobles. The Earls of the great northern provinces of Mercia and Northumberland, Edwin and Morcar - who had escaped house arrest under William and ‘fled through woods and fields’- reinforced by the northern land magnate Siward Barn, with the powerful Bishop Athelwine of Durham and ‘many hundreds of men with them’ who fared into Ely by ship.
Overall a protracted guerrilla war was fought lasting about a year or so. Hereward is reported to have disguised himself as a fisherman and as a potter in order to spy on William and his army and led countless assaults and forays into the Norman camps that surrounded the Isle. He and his men frequently raided deep into Norfolk no doubt employing shock and awe tactics on Norman and collaborator alike. Burwell was scorched in the process and battles are said to have ensued at Reach, Stuntney and Aldreth. It is supposed that the highly esteemed Norman Sheriff William Malet lost his life fighting against Hereward at Ely. This was a fearsome force of men at large in defiance of the ‘oppressions and humiliations suffered by the English’, as later described by Orderic Vitalis.
Whether in desperation or belief, William even employed the services of a witch to cast a spell upon the defendants of Ely, but Hereward and his men burned down the raised platform she stood upon and she fell and broke her neck. William then built a long causeway to try and gain access to the Isle but Hereward and his men fired the combustible peat fen destroying the wooden causeway and routing the heavily armoured Norman knights.  Reports of Norman skeletons in their chain-mail being dug out of the surrounding fen were recorded over a hundred years later.
‘he bravely led them out’ - Anglo-Saxon Chronicle.
Ely eventually capitulated sometime in the summer of 1071. The Gesta Herwardi states that Abbot Thurstan, who had lost much of Ely’s land to William as punishment, sought to come to terms. William’s army were led through a secret pathway by some monks and the game was up. Hereward and many of his followers are reported to have fled - and it is at this point that history becomes blurred and legend comes more sharply into focus.
‘Last of the English!’
800 years after the Battle of Hastings in 1866 the novelist Charles Kingsley published the romantic epic, ‘Hereward the Wake’ – subtitled ‘Last of the English!’ The book about a patriotic hero was unleashed on a Victorian public weaned on the historical novels of Sir Walter Scott and it immediately became staple diet for children of all ages. The popularity of this book, which has never been out of print, is the major reason why we remember Hereward today.
The Victorians, ever proud of their heritage and looking for their ‘island story’ held Hereward up as a prototype Englishman full of all those contemporary British virtues of patriotism, gallantry, selflessness and bravery - while the spirit of his famous last stand at Ely was seemingly mirrored in feats of Empire in such far-away places as Rorke’s Drift and Mafeking.



Arguments ensue about Hereward’s parentage, descent and his social standing. He has been represented as a champion and a patriot and in children’s books has even met the likes of Dr Who and Catweazle! Recent years have seen a ‘new wave’ of Herewardista’s rise up in the literary world. The works of Paul Kingsnorth, James Wilde, Stewart Binns, James Aitcheson and others has rekindled an interest in Hereward just as it began to fade from the lore of the local folk across the Fenlands - whilst historical research from Professor Elizabeth van Houts from Cambridge University and others has uncovered much evidence to substantiate the writings of 12th Century monks, which were once considered unreliable.

New Wave of ‘Herewardista’s’


If you are new to Hereward there are a whole host of novels to explore. The benchmark will forever be Charles Kingsley’s Hereward the Wake - but in recent years a new wave of ‘Herewardista’s’ have emerged, proving to be the vanguard of the attack to re-launch Hereward into popular culture!
Author Stewart Binns draws parallels between Hereward and William Wallace when talking about his book Conquest in an interview on Youtube.


The storyline is told by a certain Godwin of Ely on his deathbed in the heart of the capital of the Byzantine Empire, Constantinople. Godwin relates to his listeners how Hereward fights at the Battle of Hastings and gets crushed by a horse at the very moment King Harold comes under attack, leaving Hereward’s followers with a dilemma of who to help first. Hereward’s plight fostering Harold’s death foreshadows the calamity of the English resistance that was to follow. The vivid images regaled by Stewart throughout bear testimony to his work as a television documentary producer.
 

 
James Aitcheson’s Knights of the Hawk is told from the point of view of Tancred, a Norman Knight, who becomes instrumental in the victory over the English at Ely in the Autumn of 1071. Where Binns has Hereward travelling far and wide Aitcheson’s Hereward becomes a target in the marsh. ‘Destroy him and many of the others will lose belief’, exclaims Tancred to his fellow knights as the hunt for Hereward’s head begins. Aitcheson’s angle as the English as ‘the other’ makes for a refreshing read and his knowledge on Anglo-Norman England is clearly evident.


If there is one person who should take the larger slice of the credit for significantly bringing Hereward out of shadowy obscurity and into the glimmering light of the public eye during the course of this decade it has to be the charismatic ‘man of Mercia’, James Wilde. In true Hereward style as a man of many guises James Wilde is the pen name of author, BBC screenwriter and journalist Mark Chadbourne. Perhaps the key to James’ success with Hereward has been in the planning of a whole series, as well as a number of off-shoots. This has given the Hereward story the time and space to evolve and develop more fully in the reader’s imagination. Accompanied by the most defining image of Hereward since Henry Courtney Selous illustrated Kingsley’s epic in 1870, Wilde releases his sixth instalment of the saga The Bloody Crown in July.

As works of art go, Paul Kingsnorth’s The Wake takes some beating, as proven by being the winner of the Gordon Burn Prize in 2014 and The Bookseller Industry ‘Book of the Year’ award. It has been heralded far and wide as ‘a literary triumph’ for Kingsnorth writes his offering in what he calls ‘a shadow tongue’, a language ‘intended to convey the feeling’ of Old English through borrowed vocabulary and syntax. As a paradox to the merits of the novel ‘fuccan’ ‘scit’ were my two favourite words invented by Kingsnorth,  although his use of the disputed appellation ‘the Wake’ met with my admiration the most. Based in the Fens you can feel the damp rising through your bones as you read this masterpiece.

I am in the process of setting up a community project, the ‘WakeHereward’ Project, in order to raise the profile of the ‘forgotten hero’ of the Fenlands. Please visit my Twitter page for further information @WakeHereward

Reference
The images of Hereward are by Henry Courtney Selous (1870).



Wednesday, 16 March 2016

Guest Post - author Anne O'Brien talks of her inspirations @anne_obrien

Today I welcome The Sunday Times best seller, Anne O'Brien, to talk about the inspirations behind her latest book.

Take it away, Anne...


'O’Brien cleverly intertwines the personal and political in this enjoyable, gripping tale.'  - The Times 

Her children or her crown

France, 1399: The Duke of Brittany is dead and his widow, Joanna of Navarre, has inherited the Regency over their land – a testament to her intellect, integrity and political prowess.

Then comes an unprecedented proposal from Henry IV, King of England. The price of becoming his Queen? Abandoning Brittany, leaving her children and sacrificing her independence.

Henry's hold on the crown is unsteady and war is brewing. With the constant threat of rebellion, Henry will trust no-one – not even his new Queen. Crossing the channel is a dangerous prospect. But the union between Joanna and Henry would bring the chance of a vital alliance between two proud states – if they will allow it.

One question. Two paths. A choice that will make history.

***

Royal Wives, Sisters and Mistresses

The Lot of Medieval Women


What was it that inspired me to write about women of the medieval English Court in general and Joanna of Navarre, in my recent novel The Queen's Choice, in particular?


It was in answer to this question: why is it that so many medieval women have remained almost invisible, while the sins or exploits of their husbands are legendary?  King John is notorious but few would claim to know much about Isabelle of Angouleme.  Richard II, is brilliant, usurped and tragic, thanks to Shakespeare, yet Anne of Bohemia hardly makes a mark, and even less Isabelle de Valois (although she was only six when she became Richard's wife which will account for much).  Edward I, Hammer of the Scots, built castles and led his armies.  Who can relate more than the basic facts about Eleanor of Castile, other than the romantic tale of Eleanor Crosses erected by her grief-stricken husband.  Which probably says more about Edward than it does about Eleanor.

Even women from aristocratic families, or with scandalous connections, fare little better, other than the salacious details of the scandal.  Alice Perrers, mistress of King Edward III, has come down through history with a particularly bad press, but so little of her life is underpinned with evidence.  Even her name comes from an early short-lived marriage.    Elizabeth of Lancaster was the younger daughter of John of Gaunt and Blanche of Lancaster but apart from the scandal attached to her name, she has almost vanished into the mists of time.  Joan of Kent, notable for her clandestine marriages, is clouded in 'possibles' and 'probables'.

As Virginia Wolfe once said: 'For most of History, Anonymous was a woman.'

Were these women so lacking in authority, in influence or even in intelligence?  Were they uneducated, fit for nothing but to be decorative witnesses to the daring or desperate ventures of their husbands?  The impression is that they remained solar-bound, waiting for their menfolk to return from war, plying a needle as they sang and prayed and gossiped in a feminine world.  I could not believe that this was the truth.  It seemed to me improbable that these medieval women should have nothing to say about what they and their regal husbands were doing.  How could they be mere onlookers, with no opinion of the people and the political goings-on around them?

So why are they so difficult to rediscover?  The answer is simple enough.  They are silent because they lived in a man's world, written by men, about the feats of men.  Women are given no voice, not even royal women, except for the very few, such as the infamous Eleanor of Aquitaine whom it was difficult to silence, yet even she was incarcerated by an enraged Henry II for stirring rebellion amongst their sons.  Women are recorded for us in their relationships with men: a daughter, a sister, a wife.  Thus our medieval women, even those with status, are skeletons without flesh, two dimensional in their lack of character, without even a physical description since medieval portraits are rare.  The few women who leave behind some idea of their thought processes are those who write,  frequently women who have taken the veil, such as Julian of Norwich, or remarkable authors such as Christine de Pisan and Margery Kempe.

For this reason, I decided to shake the cobwebs from some of these women, fitting them into the historical context in which they lived.  Anne Neville into the years of the War of the Roses, a pawn in the game of marriage and power-brokering.  Alice Perrers who proved to be just as ambitious and manipulating as we might expect but also the smart business-woman of the fourteenth century.
Katherine de Valois, a political bride for Henry V who managed to snatch some happiness with Owen Tudor in her tragic life.  Katherine Swynford whose liaison with John of Gaunt was so much more than a light-hearted love affair, bringing with it the taint of sin and massive disapproval.  Elizabeth of Lancaster whose marriage to John Holand dragged her into the depths of treason with husband set against brother.  How much these women had to say, when given the opportunity to do so.

And most recently in The Queen's Choice: the Queen of England who proved to be more invisible than most is Joanna of Navarre.  Who has even heard of Queen Joanna of England, who in 1403 was invested as Queen Consort in Westminster Abbey, with crown and sceptre, as wife of King Henry IV?  A remarkable woman, regal from her toes to her fingertips, she was daughter of King Charles II  (the Bad) of Navarre and Joan de Valois who was a daughter of King John II (the Good) of France.  Through this pedigree Joanna was related to almost every important family in Europe through either blood or marriage.  Wife of the Duke of Brittany, she became Regent for her young son on her first husband's death.  Yet Joanna is fortunate if she manages more than a few paragraphs in most history texts.

The research to discover Queen Joanna, to breathe new life into her, proved to be exhilarating.  Unpopular as a Breton by  her first marriage, accused of greed over her extortionate dowry, she soon came under attack for her extensive Breton household and her suspect opinion on English foreign policy.   But what more is there to say?  Delving into the dark political issues of the reign of Henry IV  gave real depth to Joanna's world.  What a troubled reign it was, with insurrection, civil war instigated by the mighty Percy family, Welsh rebellion under Owain Glyn Dwr, all exacerbated by a king who was a usurper.  Here were the issues faced by Joanna, the malice-laden motivations of those around her, not least in her new marriage with its unforeseen loyalties.  And then there was the accusation of witchcraft made against her in the reign of Henry V, resulting in her incarceration for three years in Leeds Castle.

Here was the essence of her story.   The research was done, the facts closely-honed, the character of Joanna of Navarre developed so that she was able to emerge, in The Queen's Choice, from her footnote in history.  Never again can she and her medieval sisters be swept behind the arras. 

I think that it is a task worth doing, and I enjoy the outcome.  I hope that you do too.



Where can I buy a copy of this fabulous book?

Amazon 

Also available at WHSmiths and Waterstone's.



About the Author.
Anne O'Brien was born in the West Riding of Yorkshire. After gaining a B.A. Honours degree in History at Manchester University and a Masters in Education at Hull, she lived in the East Riding for many years as a teacher of history. 

After leaving teaching, Anne decided to turn to novel writing and give voice to the silent medieval women who fascinated her.


Today Anne lives in an eighteenth century cottage in Herefordshire, an area full of inspiration for her work.


Useful links 
Website: www.anneobrien.co.uk
Facebook: https://www.facebook.com/anneobrienbooks/
Twitter: @anne_obrien