Editing tips with Grace
Edits with a touch of Grace |
You’ve
just written “THE END” on the last page of your manuscript. Now what?
The
first thing I suggest you do is run your work through the grammar and spell
check portion of Word. If you don’t use that program, then find another equally
as good. It may not catch all the errors, but that is what the next step is
for.
Read
your manuscript out loud. It will help you catch errors as you read it. I know
it sounds silly, but it really works!
Find
an editor who fits with the genre you write. It’s important the editor
understand the genre and your voice in your manuscript. It is the editor’s job
to maintain your voice as the author and creator of your work of art.
Once
the editor finishes his/her job, the manuscript will be returned to you.
Please, do not use the editor’s copy as your published copy. The editor’s copy
that is returned to you is for your use, for you to see the errors or changes
that need to be made on your original manuscript. There are chances if you
decide to use the editor’s corrected copy as your published copy, that you will
not be able to remove all the editor’s marks. That will cause undue stress to
you when someone leaves a review stating there were words such as “attach this
sentence to the former paragraph.” Use your original manuscript to make changes
and corrections, please.
You
should have on board 2-4 beta readers…friends willing to proofread your work
before you send it to your editor. You ask…why? Because editing isn’t just
about proofreading…but proofreaders may catch what Word doesn’t and it will
help your editor spend less time on little things and concentrate on your complete
story. Proofreaders catch the double spaces at the ends of sentences, the
misplaced comma, the lack of a capital letter. HINT: the best way to proofread
is to read each sentence backwards. I know that sounds crazy, but it works.
I
began editing because I couldn’t handle reading all the books with errors. Each
book I picked up had errors: sometimes missing words, sometimes missing
paragraphs, sometimes transitions to get from one place to another, sometimes
character names were wrong.
I’ve
categorized editing into 3 categories. I’m sure there are many others, but for
me, this works—historical, technical, and general.
As
an editor, I copy editing in line (meaning I write corrections and my
suggestions directly on the manuscript.) I look for errors with paragraph
transitions, check verb tenses, timelines, grammar, spelling, and punctuation.
That is because I consider myself a general editor…one who edits romance, suspense,
mystery, and all forms of fiction. I do not fact check.
I
know all these terms have your head spinning by now. Let’s break them down so
you see the differences.
COPY
EDITING
A copy editor deals with grammar and punctuation and over all written communication.
Very little of this is a judgment call…it is following the rules of written
language.
LINE
EDITING
A line editor pays attention to structure of sentences and paragraphs,
sentence flow, word choices, voice, style, and moving the story forward.
DEVELOPMENTAL
EDITING
This is all about storytelling…your plot structure, your character
development, tension, pacing, and truth. Truth is the art of storytelling.
TECHNICAL
EDITING
This is a totally different type of editing. This is finding someone
who is in your same field of interest, someone who knows what you are writing
about better than you do. This is fact checking, making sure sites quoted are
correct, verifying information set out in tables and graphs, checking foreign
languages. It takes a special person to do this type of editing.
Hiring
an independent editor to work with you and walk you through your manuscript
will do much more for you than attending any conference to learn editing on
your own. A good editor will be available to be beside you throughout the
editing experience, answer any questions you may have, and explain why the
corrections and suggestions were made.
It
is not a good idea to edit your own work. By the time you are finished writing
your story, more times than not, the last thing you want to do is read it one
more time. I guarantee you will miss things that can either make or break your
published manuscript.
Until
next time, may your writing muse grant many good words to you.
Edits With A Touch
Of Grace
Edits With a
Touch of Grace is
committed to helping you achieve perfection one word at a time with your
manuscript. I have many years of experience from copy editing in the newspaper
business to putting out error free church newsletters and weekly bulletins.
Please contact
me and let’s discuss how I can help you achieve your manuscript goals.
Signed
contracts must be received and editing fee paid (via PayPal or personal check)
before work begins on your manuscript. Fee schedule will be provided to
interested clients after initial contact.
**Proofreading
(includes grammar and punctuation only)
**Full Editing
(includes grammar, composition, paragraph transitions, story congruity, and
deep line edits.)
If you are interested in ordering one of these services, you may reach me through my email graceau57@gmail.com Please use this reference code: MA2019 in initial correspondence.
If you are interested in ordering one of these services, you may reach me through my email graceau57@gmail.com Please use this reference code: MA2019 in initial correspondence.
I
look forward to working with you.
Good advice, Grace!
ReplyDeleteI loved your tips, Grace, especially the one about reading a sentence backwards. I do a lot of copyediting (day job) and will definitely use it. When editing, I always read aloud. It's much easier to spot errors, slow pacing, etc. when read aloud.
ReplyDeleteThank you so much, Mrs. N.N. Yes, reading aloud helps so much if it's questionable. I've found I enjoy editing and helping other authors more than writing my own novels.
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