From Here to Fourteenth Street
By Diana Rubino
By Diana Rubino
Now on Audio with the soothing voice of
narrator Nina Price
It's
1894 on New York's Lower East Side. Irish cop Tom McGlory and Italian immigrant
Vita Caputo fall in love despite their different upbringings. Vita goes from
sweatshop laborer to respected bank clerk to reformer, helping elect a mayor to
beat the Tammany machine. While Tom works undercover to help Ted Roosevelt purge
police corruption, Vita's father arranges a marriage between her and a man she
despises. As Vita and Tom work together against time and prejudice to clear her
brother and father of a murder they didn't commit, they know their love can
survive poverty, hatred, and corruption. Vita is based on my great grandmother, Josephine
Calabrese, “Josie Red” who left grade school to become a self-made
businesswoman and politician, wife and mother.
Excerpt
As Vita gathered her soap and towel, Madame Branchard
tapped on her door. "You have a gentleman caller, Vita. A policeman."
“Tom?" His name lingered on her lips as she
repeated it. She dropped her things and crossed the room.
"No, hon, not him. Another policeman. Theodore
something, I think he said."
No. There can't be anything
wrong. "Thanks,"
she whispered, nudging Madame Branchard
aside. She descended the steps, gripping the banister to support her wobbly
legs. Stay calm! she warned herself.
But of course it was no use; staying calm just wasn't her nature.
“Theodore something” stood before the closed parlor
door. He’s a policeman? Tall and
hefty, a bold pink shirt peeking out of a buttoned waistcoat and fitted jacket,
he looked way out of place against the dainty patterned wallpaper.
He removed his hat. "Miss Caputo." He
strained to keep his voice soft as he held out a piece of paper. “I’m police commissioner
Theodore Roosevelt.”
"Yes?" Her voice shook.
"I have a summons for you, Miss Caputo." He
held it out to her. But she stood rooted to that spot.
He stepped closer and she took it from him, unfolding
it with icy fingers. Why would she be served with a summons? Was someone
arresting her now for something she didn't do?
A shot of anger tore through her at this system, at
everything she wanted to change. She flipped it open and saw the word
"Summons" in fancy script at the top. Her eyes widened with each
sentence as she read. “I can’t believe what I’m seeing.”
I hereby order Miss Vita Caputo to enter into holy
matrimony with Mr. Thomas McGlory immediately following service of this
summons.
An
Author’s Inspiration
New York City’s history always fascinated me—how it
became the most powerful hub in the world from a sprawling wilderness in
exchange for $24 with Native Americans by the Dutch in 1626.
Growing up in Jersey City, I could see the Statue of
Liberty from our living room window if I leaned way over (luckily I didn’t lean
too far over). As a child model, I spent many an afternoon on job interviews
and modeling assignments in the city, and got hooked on Nedick’s, a fast food
chain whose orange drinks were every kid’s dream. Even better than the vanilla
egg creams. We never drove to the city—we either took the PATH (Port Authority
Trans Hudson) train (‘the tube’ in those days) or the bus through the Lincoln
Tunnel to the Port Authority Bus Terminal.
My great grandmother, Josephine Arnone, “Josie Red” to
her friends, because of her abundant head of red hair, was way ahead of her
time. Born in 1895 (but it could’ve been sooner, as she was known to lie about
her age), she left grade school, became a successful businesswoman and a Jersey
City committewoman, as well as a wife and mother of four. She owned apartment
buildings, parking garages, a summer home, did a bit of Prohibition-era bootlegging,
small-time loan-sharking, and paid cash for everything. When I began outlining
From Here to Fourteenth Street, I modeled my heroine, Vita Caputo, after her.
Although the story is set in New York the year before Grandma was born, I was
able to bring Vita to life by calling on the family legends and stories, all
word of mouth, for she never kept a journal.
Vita’s hero Tom McGlory isn’t based on any real
person, but I did a lot of reading about Metropolitan Policemen and made sure
he was the complete opposite! He’s trustworthy and would never take a bribe or
graft. I always liked the name McGlory—then, years after the book first came
out, I remembered that was the name of my first car mechanic—Ronnie McGlory.
I completed the book in 1995, and my then-publisher,
Domhan Books, published it under the title I Love You Because. The Wild Rose
Press picked it up after I gave it many revisions and overhauls. My editor Nan
Swanson did a fabulous job making the prose sparkle.
Changing the Title
When I proposed the story to Wild Rose, I wanted to
change the title, since it went through so many revisions. I wanted to express
Vita’s desire to escape the Lower East Side and move farther uptown. I
considered Crossing 14th Street, but it sounded too much like Crossing
Delancey. After a few more hits and misses, the title hit me—as all really
fitting titles do.
What Was 1894 New York City
Like?
The Metropolitan Police was a hellhole of corruption,
and nearly every cop, from the greenest rookie to the Chief himself, was a
dynamic part of what made the wheels of this great machine called New York
turn.
The department was in cahoots with the politicians,
all the way up to the mayor's office. Whoever wasn't connected enough to become
a politician became a cop in this city. They were paid off in pocket-bulging
wads of cash to look the other way when it came to building codes, gambling,
prostitution, every element it took to keep this machine gleaming and
efficient. They oiled the machine and kept it running with split-second
precision. The ordinary hardworking, slave-wage earning citizen didn't have a
chance around here. Tom McGlory and his father were two of a kind, and two of a
sprinkling of cops who were cops for the right reasons. They left him alone
because he was a very private person; he didn't have any close friends, he
confided in no one. He could've made a pocket full of rocks as a stoolie, more
than he could by jumping in the fire with the rest of them, but he couldn't
enjoy spending it if he'd made it that way. They knew it and grudgingly
respected him for it. He was here for one reason--his family was here. If they
went, he went. As long as they needed him, here he was. Da would stop grieving
for his wife when he stopped breathing. Since Tom knew he was the greatest gift
she gave Da, he would never let his father down.
Praise
for From Here To Fourteenth Street
A Review From Romantic Times:
Immigrant
Vita Caputo escapes New York’s Italian ghetto and secures a job in a Wall
Street bank, along with a room in a Greenwich Village boarding house, thanks to
Irish police officer Tom McGlory. With her new beginning, Vita even joins the
Industrial reform movement.
Tom is
an honest cop, with little interest in women until he meets Vita. When Tom’s
cousin is murdered and Vita’s father and brother are arrested for the crime,
the two team up to investigate and soon discover that they are falling in love.
Vita
and Tom face economic problems, prejudice, and cultural differences. Ms.
Rubino’s research is obvious. Kathe Robin
From Rhapsody Magazine:
FROM
HERE TO 14th STREET by Diana Rubino is all that and then some. Everything about
this book is what writing should be--original and wonderfully executed. Bravo! Karen L. Williams
From Book Nook Romance Reviews:
Diana
Rubino has done a masterful job of researching the life of Italian and Irish
immigrants in turn-of-the-century New York, its society and politics and crime.
She paints a vivid picture of the degradation immigrants of Italian descent
suffered, particularly at the hands of the earlier Irish immigrants they
succeeded. Barred from all but the most menial jobs, forced to live crammed
into the worst slums, she makes it easy for the reader to understand why many
of them turned to a life of crime and violence. Not only can the reader see
what Vita and Tom see, they can smell it, hear it, and taste it.
Vita is
a delightful heroine, as full of vivid life as the city she lives in. Stubborn,
determined to escape the ghetto in which she lives and make something of
herself, she never loses her commitment to and love for her family. That very
devotion, however, threatens her growing relationship with Tom, since the Irish
and Italians are the Capulets and Montagues of 19th century Manhattan.
Although she cannot help falling deeply in love with him, she knows that her
father and brothers will never permit her to spend her life with him. And, in a
departure from the usual super-masculine hero, Tom is a sensitive, secret poet
as well as a cop.
If you
like vivid characters and a book that carries you effortlessly back to an
earlier time, FROM HERE TO 14th STREET is a good choice. Elizabeth Burton
More about the Lower East
side:
One fascinating place to visit is the Lower East Side Tenement Museum
at 97 Orchard Street, once an actual tenement. They
have tours describing life as it was back then, with each floor of the
building decorated (if you want to call it ‘decorated’) to depict each time
period when immigrants lived there.
I read a lot of books to research this story. One
book I remember reading as a kid is How
The Other Half Lives by Jacob Riis, a photographer and reformer of the
time. The photos in his 1901 book vividly illustrate the poverty and
deprivation of the times, for adults and children alike.
Pick up your copy of
From Here to Fourteen
Street
|
Diana Rubino
My passion for history and travel has taken me to
every locale of my stories, set in Medieval and Renaissance England, Egypt, the
Mediterranean, colonial Virginia, New England, and New York. My urban fantasy
romance, FAKIN’ IT, won a Top Pick award from Romantic Times. I’m a member of
Romance Writers of America, the Richard III Society and the Aaron Burr
Association. I live on Cape Cod with my husband Chris. In my spare time, I
bicycle, golf, play my piano and devour books of any genre.
The historical monarch I’d most like to meet is
Richard III, my favorite of all time.
Looks fabulous, Mary Anne! Thanks for hosting me! Diana
ReplyDeleteWhat wonderful reviews! Sounds like an excellent read. Congrats and best wishes!
ReplyDeleteThanks, Alicia! Good reviews are so encouraging, aren't they?
DeleteThis story has fascinated me since it was released. Wonderful reviews!
ReplyDeleteThanks, Patricia. NY history is my favorite era--I had a blast researching it!
Deletei narrated the audiobook version of FROM HERE TO FOURTEENTH STREET. One of my favorite scenes is when Vita
ReplyDeletemeets Theodore Roosevelt. You can listen to it here http://bit.ly/2LXEvjN I love the way Diana incorporates well known
historical figures into her stories in the New York Saga!