Showing posts with label Arthur and his Knights of the Round Table. Show all posts
Showing posts with label Arthur and his Knights of the Round Table. Show all posts

Sunday, 27 March 2016

Lyonesse - a lost city in Arthurian Legend.

Can you hear the church bells ringing?

There once was a kingdom, a beautiful fertile kingdom, which was inhabited by a noble and handsome race. These were good people who loved their God so much that, it is said, they built a staggering 140 churches in which to worship him in. Some say they even built a glorious cathedral. But then one night, the unthinkable happened. The ocean rose and drowned the city, taking her deep into the murky depths, never to be seen again. 

I am, of course, taking about Lyonesse and the once beautiful city of Lions.

There is a lovely legend...a man name Trevilian, foresaw the disaster. Seeing the approaching - I guess it was some sort of tsunami - he leapt onto a white horse and raced away from the advancing sea. He took refuge in a cave and watched as the sea calmed his city. The Trevilian coat of arms still bears a horse emerging from the water. It is also worth a mention that Brittany also tells of a lost city and the King, Gradlon, escaping the water on a horse. Maybe it is just a coincidence, maybe not. Nevertheless, the kingdom went by the name of Lyonesse. But how did Lyonesse become associated with Arthurian Legend? Let's take a look...!

Lyonesse and Arthurian Legend.

The 1995 movie, First Knight, starring Richard Gere and Julie Ormond, portrays Guinevere as the ruler of Lyonesse. But the connection with Arthurian Legend, goes way back.



There are many stories of lost cities under the sea...some of the cities have even been found, such as Cleopatra's Palace in Egypt or the Olous in Crete. I guess the most famous of all these lost cities is Atlantis and I don't think anyone has found her yet.

Where was Lyonesse?

 

It is said that Lyonesse once stood between Land's End and the Isle of Scilly.  Now all that is left of that ancient kingdom is a reef known simply as the Seven Stones - a reminder perhaps, of the power of the sea. It is said, that on stormy nights one can still hear the haunting sound of church bells ringing and you can still make out the city walls under the water. At low tide, along the sands of Sampson Flats, the field boundaries of Lyonesse can be made out. Whether this lost kingdom really was called Lyonesse...I think could be debated, but that’s for another day.
 
Of course, as is often the case, Scotland also claims to have Lyonesse as does Brittany - and who’s to say they are wrong? But for this post I am going to assume that Lyonesse could be found just off the coast of Cornwall.


 "Then rose the King and moved his host by night
And ever pushed Sir Mordred, league by league,
Back to the sunset bound of Lyonesse—
A land of old upheaven from the abyss
By fire, to sink into the abyss again;
Where fragments of forgotten peoples dwelt,
And the long mountains ended in a coast
Of ever-shifting sand, and far away
The phantom circle of a moaning sea."
Tennyson Idylls of the King 


Interestingly, in the early texts of Arthurian Legend there is no mention of a kingdom disappearing under the sea, but then again, there was no mention of Camelot either -- but that's another story.

But as the legend grew, so did the story. When you look at Arthurian Legend as a whole, the land is a fundamental part of the stories. If it were not, then why was Camelot invented? And Lyonesse plays an important part in the legend.
     
It is said that Sir Tristan came from Lyonesse. At the time of the disaster, he was in Cornwall, at the court of his uncle - King Mark. He watched his father's kingdom be reclaimed by the sea - and there was nothing he could do about it.  Maybe things would have been different for Tristan, if Lyonesse had not been so cruelly taken from him. He certainly had his fair share of heartache - if the legend can be believed.

But, whatever the truth, a city was once there and unexpectedly the sea reclaimed it.

Saturday, 12 March 2016

Joseph of Arimathea and Arthurian Legend

Have you ever been to Glastonbury?

If you have not, then I can assure you that Joseph of Arimathea, like our beloved King Arthur, is someone you will pretty quickly become very familiar with.

Who was Joseph of Arimathea and what on earth does he have to do with Arthurian Legend?

 
 Joseph of Arimathea by Pieto Perugino 

Joseph of Arimathea's story can be found in all four gospels of the Bible. This is what Luke has to say about him...
"Now there was a good and righteous man named Joseph, who, though a member of the council, had not agreed to their plan and action. He came from the Jewish town of Arimathea, and he was waiting expectantly for the kingdom of God.
This man went to Pilate and asked for the body of Jesus. Then he took it down, wrapped it in a linen cloth, and laid it in a rock-hewn tomb where no one had ever been laid." Luke 23:50-53
Joseph of Arimathea has attracted as many myths as Arthur has -- dare I say his connection with Glastonbury may well have been down to the pragmatic monks of Glastonbury Abbey  -- as businessmen, those monks certainly knew how to attract pilgrims!

Let me briefly detail the British story of Joseph of Arimathea...


"And did those feet in ancient time
Walk upon England's mountains green?"
 Jerusalem by William Blake

Joseph was Jesus' great-uncle.

Joseph was a wealthy merchant who travelled to Britain - more specifically to Cornwall - to purchase tin. On one of these trips to Britain, Jesus came with him -- hence Blake's famous opening line in Jerusalem.

It is said that Joseph was the first person to bring Christianity to Britain - there is much debate about whether there was any truth in this...Christianity certainly did come to Britain...but the jury is out on whether Joseph had anything to do with this.
Joseph built the very first Christian church in Britain - in fact he built the very first church in the whole world! 

Many poets, such as Robert de Boron wove Joseph's story into Arthurian legend. This idea was cemented further when John of Glastonbury (c. 1340) - a Benedictine monk and chronicler - assembled the history of Glastonbury Abbey. Unsurprisingly the chronicles refers to Arthurian legend on several occasions. John stated that when Joseph came to Britain he brought with him two vessels. On of these vessels contained the blood of Jesus, and the other his sweat - it is interesting to note that not once is the Grail mentioned. John also claimed that Arthur was descended from Joseph and he had the pedigree to prove it??!

This version of events was believed, indeed Elizabeth I told the Roman Catholic bishops that the Church of England pre-dated the Roman Church in England because of Joseph's missionary work.

The legend grew and it was said that Joseph brought the Grail to Britain and hid it in a well at Glastonbury -- which is why the water has a reddish hue to it. You can visit that well today. I wrote a post on The Chalice Well a little while back. If you missed it you can read it here.

Joseph settled in Glastonbury. He was given some land by King Arviragus.

The Glastonbury Thorn

But it doesn't end there. When Joseph visited Glastonbury he thrust his staff into the ground at Wearyall Hill -- then, something amazing happened. Miraculously a thorn tree took root and sprouted from the staff. A miracle indeed. A budded  branch of The Glastonbury Thorn is presented to the Queen once a year at Christmas.

So there we have it. A very brief look at Joseph of Arimathea and his place in Arthurian legend.

Saturday, 5 March 2016

Stonehenge and Arthurian Legend


Ambrosius's army and the Saxon invaders fought a fierce battle at Salisbury Plain in Wiltshire. The day fell to Ambrosius, but his army had not come through the fierce battle unscathed. 3,000 of his loyal knights had been killed.

Ambrosius decided that the dead should be honoured. A memorial should be built in this place, to remember the fallen.

 "If you are desirous," said Merlin, "to honour the burying-place of these men with an ever-lasting monument, send for the Giant's Dance, which is in Killaraus, a mountain in Ireland. For there is a structure of stones there, which none of this age could raise, without a profound knowledge of the mechanical arts. They are stones of a vast magnitude and wonderful quality; and if they can be placed here, as they are there, round this spot of ground, they will stand for ever."  

Geoffrey Monmouth The History of the Kings of Britain


 

There was of course, a little problem with the Irish. They had no intention of giving up their sacred stones. Armed with 15,000 knights and accompanied by Ambrosius brother, Uther, Merlin traveled to Ireland. The Irish tried their very best to defend their stones, but they were overwhelmed not only by the numbers, but also by the skills of Ambrosius's knights.

Merlin now had possession of the stones...

"Now try your forces, young men, (said Merlin) and see whether strength or art can do the most towards taking down these stones."

It was as easy as that....

Or not, as it happens. 

Merlin watched the efforts of the knights with great amusement. Finally he stepped in and using his vast "contrivances" (skill) he moved the stones effortlessly and sent them to Briton. Once they reached Salisbury, Ambrosius summoned the clergy and the people to celebrate the erection of the monument. Once everyone had gathered, Merlin set the stones in the same position as they had been previously in Ireland.
 
Obviously, there is a great deal more to Stonehenge than this and the history of the site is fascinating. I am lucky that I live reasonably nearby to Stonehenge (just over a hours drive) and we have visited the ancient monument many times.

Unfortunately the stones, for their own protection, are roped off. You can walk around them, but you cannot touch them.

In 2013 English Heritage opened their new visitor center at the site. We went to visit the stones, and to see the new center, on a very cold and wet afternoon in January 2014. We have never walked around those stones so quickly in our life as we did that afternoon!  We were certainly glad to get back into the warmth of the visitors center, to which we discovered we were the only idiots who would venture out in such awful weather - we had the center practically to ourselves. Inside the center they have this marvelously roundish room. We sat down on the floor, in the middle of this room,  and watched the virtual tour of Stonehenge. The tour  takes you from the beginning of the monuments history, until modern day. It was very impressive and helped us appreciate just how old these stone are. 

I am not surprised that Merlin found his way to Stonehenge. I find it hard to conceive just how our ancient ancestors moved these stones. Maybe, along the way, there was a little magic to it. I like to think so anyway.


Reference
Geoffrey of Monmouth The History of the Kings of Britain.

Friday, 4 March 2016

The Pre-Raphaelites and Arthurian Legend - Guest Post @YeOldeHistorian

I would like to welcome Poppy form The History Cupboard onto the blog today.
For some years now, as an avid fan of both history and art, I have been fascinated by a group of young Victorian artists who dared to break the rules of the known art establishment. During their time, they were seen as radical, only admired by those few who could recognise their creative genius and individuality. At times they shocked, at others they stunned, and, like any rebels, their lives were surrounded by scandal. But today they are recognised the world over as a group of forward thinking artists, who found themselves lost in the stiff boundaries of 19th century Britain. 

When I was kindly given the chance to write a guest post here, I couldn’t resist the opportunity to link the subject of this blog, Arthurian legend, and my great love for the Pre-Raphaelites! Luckily, the Pre-Raphaelites were inspired by these ancient tales, and produced numerous artworks based upon them. But let’s start at the beginning, and discover who the Pre-Raphaelites actually are?

Their story began in September 1848. Five young bohemian artists, Dante Gabriel Rossetti, John Everett Millais, William Holman Hunt, James Collinson and Frederick George Stephens, along with sculptor Thomas Woolner and writer William Michael Rossetti, met in London, at the studio of Millais. Through their mutual ideas of creating meaningful art, they had found each other, and they desired to create and paint in a way that was unlike anything being produced by many Victorian artists emerging from the Royal Academy. Victorian art had become meaningless and artificial, and together, they wanted to take the world by storm and dare to do it differently. Truth to their subject was their main cause. Inspired by the writings of art critic John Ruskin and the works of Medieval artists, the group wished to bring life back into art. They discovered their unique style by looking back to artworks produced before the famous Renaissance artist Raphael (hence the name of the group!). They wished to reimagine the lost style of the Medieval masterpieces which they so admired, where artworks were displayed in a technicolour that jumped off of the canvas. To realise their aspirations, they formed the Pre-Raphaelite Brotherhood. 

Here are just a few examples of the most recognisable Pre-Raphaelite artworks:

 
  ‘Ophelia’ by John Everett Millais, 1851-52 

 
Beata Beatrix’ by Dante Gabriel Rossetti, c.1864-70  

 
  ‘The Golden Stairs’ by Edward Burne-Jones, 1880
 
Following their founding, the original Brotherhood soon welcomed other artists into their circle, and their influence continued into the 20th century. They produced hundreds of artworks, filled with the meaning that they had so wished to convey. Through tales of mythology, Shakespeare and poetry, the artists lead us through a magical world, and one of these world’s is that of Arthurian legend.

And no Arthurian tale quite captured the Pre-Raphaelites’ imagination than that of Elaine of Astolat. Although she was first mentioned by Sir Thomas Malory in his Morte d’Arthur in the 15th century, she was later to be immortalised in Alfred, Lord Tennyson’s famed poem, The Lady of Shalott. Very few similarities are held between the two accounts, all but the tragic love that poor Elaine holds for Sir Lancelot, a theme that the Pre-Raphaelites were obsessed with.

Four gray walls, and four gray towers,
Overlook a space of flowers,
And the silent isle imbowers
The Lady of Shalott.”


The Lady of Shalott, doomed by a deadly curse, finds herself trapped inside the walls of a tower on the Isle of Shalott, where she has spent the entirety of her young life. Denied of the opportunity to discover the outside world, she is forced to content herself with viewing its reflection in a mirror. From these ‘shadows’, she weaves a beautiful tapestry of the happenings she has witnessed. Her days pass by uneventfully in her prison, until she sights Sir Lancelot, whose tuneful singing reaches her ears. Unable to resist temptation, the young lady turns away from her tapestry, and looks down to Camelot, from which direction Lancelot is approaching. Having lived for so many years without knowledge of how her curse will take hold, she finally unleashes it simply by taking a glance at the real world.

“Out flew the web and floated wide;
The mirror crack'd from side to side;
"The curse is come upon me," cried
      The Lady of Shalott.”

Realising there is more to life than her solitary existence, the Lady of Shalott escapes her prison, an act which ultimately leads to her death. Boarding a boat, on which she carves her name, she floats down the river towards Camelot, where she hopes to view life in its true colours, not merely as ‘shadows of the world’. But she never quite makes it that far in life, dying on her voyage, the curse having doomed her to death.

“Lying, robed in snowy white
That loosely flew to left and right—
The leaves upon her falling light—
Thro' the noises of the night
      She floated down to Camelot:
And as the boat-head wound along
The willowy hills and fields among,
They heard her singing her last song,
      The Lady of Shalott.”

Easily the most famous depiction of the Lady of Shalott is that by John William Waterhouse. He was truly fascinated by the poem, depicted it several times in his paintings. But this is the most famous one:

 
‘The Lady of Shalott’ in the boat by John William Waterhouse, 1888

The Lady of Shalott is seen here embarking upon her journey down river, sitting upon the tapestry that has been her life's dedication. She’s finally breaking free from the chains that have held her trapped for so long.


The other Pre-Raphaelites that studied this tale also portrayed her as a lady trapped and wearied by her toilsome life. The sadness that the Lady of Shalott feels is a feature that all of these paintings share.


Sidney Harold Meteyard’s painting is perhaps the most sorrowful of all. You can see just how wearied she has become of seeing life through a reflection, rather than firsthand. The colours chosen by Meteyard add to the sorrow the Lady of Shalott is feeling. 




 

“I’m Half Sick of Shadows”by Sidney Harold Meteyard, 1913 

 
Hunt’s interpretation, however, depicts the Lady of Shalott towards the end of her struggle, when she is beginning to build the courage to escape from her imprisonment. Entangled in the threads of her tapestry, the curse is trying with all its might to stop her from escaping. She is attempting in vain to untangle herself. The scattered irises lying at her feet symbolise her strength and courage to fight against her imminent doom.





‘The Lady of Shalott’ by William Holman Hunt, 1888 



Perhaps the least known of the Lady of Shalott's incarnations is that drawn by Elizabeth Siddal, herself a woman who toiled with sadness all her life. Her interpretation is a simple drawing, but through it, we can clearly see the story panning out. Siddal decided to depict the moment when the Lady of Shalott turns towards the window, and feels the sun beat down upon her face for the first time. The way the tapestry is flying out is dramatic, greatly contrasting with the Lady’s seemingly calm and composed manner. Perhaps she is thinking of how much of her life has been wasted away imprisoned in her tower?

 
                                                                              The Lady of Shalott’ by Elizabeth Siddal




Although the Lady of Shalott's story is most common among the Arthurian tales depicted by the Pre-Raphaelites as a whole, individual artists chose many different and varied scenes to paint.

Dante Gabriel Rossetti’s are amongst my favourites - they’re just so colourful! Rossetti was a great fan of Sir Thomas Malory’s Morte d'Arthur, and in both of the following paintings, he chooses to focus on the quest for the Holy Grail.



‘How Sir Galahad, SirBors and Sir Percival Were Fed with the Sanct Grael; but Sir Percival’s SisterDied by the Way’ by Dante Gabriel Rossetti, 1864 
 


This first example shows three knights of the Round Table, Sir Galahad, son of Sir Lancelot, Sir Percival, and Sir Bors, receiving the Holy Grail. Lying on the ground besides them is Sir Percival’s dead sister, who forfeited her pure young life to save a woman who could only be saved by the blood of a virgin. Rossetti has masterfully merged these two tales to form one story of faith and purity.



The three knights were the first to lay eyes on the Holy Grail, which was said to have been used by Jesus Christ at the Last Supper, and to have contained his blood following the Crucifixion. Many knights had attempted to discover the whereabouts of the Holy Grail, but it was only the pure Sir Galahad who could allow for such a venture to occur.

  


The second of Rossetti's artworks also depicts the Holy Grail, this time solely featuring the damsel who is briefly mentioned as handing over the Holy Grail to Sir Galahad, Sir Percival and Sir Bors, in Morte d'Arthur. Rossetti greatly romanticises and exaggerates the damsel’s role in Arthurian legend, but it’s such a beautiful image it just has to be included here!



  ‘The Damsel of Sanct Grael’ by Dante Gabriel  Rossett.
 


     
Burne-Jones imagined the scene of King Arthur’s passing on the Isle of Avalon. The ailing King is lying in the centre, surrounded by ladies shrouded in typically colourful, Burne-Jones attire. All are eagerly looking upon the King, hoping for him to recover from the wounds he sustained at the hands of Mordred's army, but it was not to be, for he died soon after.


So with this sad ending, portayed in the grandest of all Arthurian Pre-Raphaelite artworks, my post is now at its end. Thank you Mary Ann Yarde for allowing me to write here at your lovely blog, and I hope I may have enlightened you all about the artworks of the Pre-Raphaelites, and how they used their talents to give life to ancient Arthurian legend!

‘The Last Sleep of Arthur at Avalon’ by Edward Burne-Jones

Refrence:
 All images can be found in the public domain.

 


 


 
 


Tuesday, 1 March 2016

The Du Lac Chronicles - Chapter 1 #amreading #HisFic

The Du Lac Chronicles is now available on Kindle.  Yay! To celebrate this I am sharing with you, my readers, Chapter 1. Enjoy!


“An evocative, timeless saga of love and betrayal”
Tony Riches, author of The Tudor Trilogy






Chapter 1
AD 495 Wessex, Briton.



Alden du Lac drew in a ragged breath. The cold night air hurt his lungs, and the rough wooden post that he was tied to rubbed the wounds on his back. He had prayed for the welcomed relief of unconsciousness; alas, it was not to be. It seemed even God wanted him to suffer for his failings.

He had lost count how many times he had been lashed. All he knew was that each lash represented every Wessex soldier that had been killed by his men. Cerniw’s losses had been far higher, but no one paid for their deaths. Life was never fair, though; he did not need a lost battle and hundreds dead to tell him that much.

The year had been horrendous. Cerniw, with its rugged moorlands, its vast forests and beautiful coasts, had been struck with one pestilence after another. The people started to talk about moving, and some already had. Those who had stayed loyal to the land and, of course, to him, no doubt now wished they had not, for when Cerdic’s Saxons came, they purged the kingdom, making it look like the hell the bishop preached of in his Sunday sermon. Alden, unlike God, had been powerless to do anything about it. Oh yes, he had fought, but the numbers he fought against had overwhelmed his army, for who could fight the devil, without God on their side, and think to win?

Alden hung his head in shame, his shoulder-length dark hair falling into his face. He cursed his naivety and worse still, his arrogance. His younger brother had warned him, but he had not heeded the warning; instead, he believed the useless treaty that Cerdic of Wessex had offered him only months before. He should have seen where Cerdic was going with it then, only he had been blinded by grief, by guilt. The responsibility for what happened, therefore, was his and his alone. He knew that, and he took the blame. He deserved to be tied to a post waiting for death.

Alden closed his pain-filled grey eyes as the image of his homeland in flames scorched his mind. He could hear the screams, the begging for mercy, and the cries for help. He could taste the terror in the air and feel the heat of the flames. Dear God, what had he done?

He had been left with no alternative. Even now, with the clarity of hindsight, he could see no other choice. He had ridden towards the enemy, carrying the white flag of truce and hoping — sweet Lord, how he had hoped — for clemency, not for himself, but for his people.

Instead, Cerdic’s soldiers had pulled him unceremoniously from his horse and taken him prisoner along with at least eighty of his kinsmen. Of their fate he was uncertain, but his was assured. If he did not die tonight from exposure then an axe awaited him at dawn. It was a terrifying thought, and he prayed to God for courage. He felt no warm, welcoming presence and he feared what all men secretly feared, that on the morrow, he would not die well.

Snow began to fall softly from the night sky, not enough to settle, just enough to plummet the temperature further. He began to shiver. He tried thinking of a warm fire and his large bed covered in thick furs. It did not help. After all, when last he saw his fort it was in flames.

“Are you still alive, du Lac?”

Alden kept his head down, pretending to be unconscious, and hoped the bastard would leave him alone to die in peace. Draca, the guard in charge of the prisoners, was not fooled. He lived for terror and he had no intention of allowing the former ruler of Cerniw an easy death. He grabbed Alden’s chin roughly and forced his head up.

Alden opened his eyes and stared with contempt at the soldier in front of him. Draca was a huge man, with a shiny bald head, tiny eyes and a big fist, whose breath stank of stale beer and his body of gone-off fish mixed horribly with the smell of fresh blood — not his own, but someone else’s.

“Not quite dead yet, are you? Won’t be long, though.” Draca chuckled deep in his throat. “I’ve never killed a King before. I’m looking forward to it. Try and stay alive till morning, won’t you, for I want to be the one who takes your last breath.”

Alden stared past him, trying for indifference, refusing to give the man any satisfaction by showing fear at his words. Damn him to hell, he would die well, he would. He had to.

Draca continued to mock him; he tried to pay him no heed, for Draca could not make him feel any worse than he already did. He had thought himself a good and fair King, but no matter what he had done in the past, he had lost the kingdom and that made everything good he had done inconsequential.

Maybe it was a good thing that Cerdic had ordered his death. When his eldest brother found out about his failings he would be far less generous. Still, what he would give for his brother’s army to be marching on Wessex now. Not that that was going to happen, for Budic was safely tucked away in Brittany, oblivious to all that had transpired. And Alden knew he would be long gone from this world when Budic found out.

A shadow caught his eye. It was there for a moment and then gone. A ghost no doubt, and fear struck him, not for the supernatural and their haunting, but for his own fate. Dear God, please don’t let me stay all eternity locked inside these four walls, forever looking for a way out. Draca dropped his hand, satisfied when he saw the fear in his prisoner’s eyes. They all felt fear in the end; he made sure of it. What he needed now was a woman. He always needed a woman before and after a kill. There was a new serving girl, a petite little thing from the village, that he had not had the pleasure of introducing himself to yet. His Lord’s orders were very specific: not to leave the former King of Cerniw alone, but it wasn’t as if du Lac was going anywhere and what he was planning would not take long.

Alden closed his eyes and hung his head. A sennight ago nothing would have induced him to humble himself in such a way, but that was then. Anyway, it hurt too much to keep his head upright, and he didn’t want to see his future coming. He would rather be blind. He heard Draca march away, whistling a merry tune that seemed out of place amongst so much suffering.

An owl hooted overhead and Alden could not help himself, he shivered, for owls brought out the superstitious nature in him, and he felt the hairs on the back of his neck rise. Something else was in the yard. He could sense it. Something dangerous and unworldly and it was coming for him.

He forced his eyes to open and raised his head slowly. A figure dressed in black approached him through the falling snow. He could not see the figure’s face to ascertain if it was human, for it was hidden by a hood. Perhaps it did not even have a face. Perhaps it was a demon. He caught a glimpse of a silver blade and braced himself, closing his eyes, holding his breath, for he realised that death had come to claim him.

Annis of Wessex brought the knife down hard on the thick rope. It made a small, pathetic fray. Shocked, she touched the tip of the blade with her finger. It was almost blunt, the edges ragged. The knife belonged to her brother, and she hated it almost as much as she hated him, but it was unusual for him not to keep his instruments of torture sharp. She resisted the urge to throw the knife away from her, because through its pommel, she fancied she could feel the countless souls that had died by this weapon. Alas, the knife was all she had; she could not risk going back and getting another.

She felt sweat trickle down the back of her neck, despite the cold, as she stepped in closer towards her father’s enemy. The former King of Cerniw’s eyes had closed again and he did not appear to be breathing. Fearing she was too late, she gently touched his cheek with her fingertips and he flinched, as if she had struck him. Mortified, she quickly withdrew her hand.

Alden took another ragged breath. “If you are here to kill me, just do it and get it over with.”
He spoke in the strange language of his own people and she could not understand him. Think, Annis. She looked at the knife and then looked at the rope and set to work. If the knife refused to cut then it would saw.

It seemed to take an agonisingly long time to saw through the rope. Annis kept glancing up at the battlements, but nobody came. They were strangely deserted and she fancied the gods had decided to freeze this moment in time, to give her a fighting chance. How they liked to toy with her.

The twines of rope grudgingly began to fray and snap. A dash of white sliced through the sky and a panicked squeal echoed around the courtyard as the owl flew away with his prey clutched tightly in his talons. Death was all around them.

Alden du Lac was free, yet he did not move, and she wondered if he could. Her brother had boasted that Draca could break a man’s spirit better than any other man he had ever known. But the rebellious part of her nature, so carefully hidden until now, refused to believe that the larger than life King of Cerniw would be thus defeated by a lowlife such as Draca. If he were not going to save himself, then she would do it for him. Hastily, she pulled at the ropes that held him to the post, not caring if she hurt him or inflicted more injuries. He deserved to be in pain if he had given up. She hadn’t. Every day of her life, she had had to fight. She had thought he would have had the courtesy of staying alive while she risked her own neck trying to save his pitiful existence.

Without the support, Alden crumpled to the hard, bloodstained, frost-covered cobbled ground. The breath whooshed out of him and he kept his eyes tightly closed, wondering what evil intent this beast had planned for him now. Die well, he reminded himself, think of something, anything. Take your mind away from here. He tried to think of the sea, the surf hitting the white sands of his home, but the image was blurred and his tormenter was tugging at his arm, trying to make him stand.

He wasn’t responding. She should leave…now. At least she had tried. She had underestimated the extent that he had been tortured. He was as good as dead. She tugged pathetically on his arm one more time, not expecting him to respond, so she was surprised when she felt him stir beneath her fingers. Encouraged, she tugged hard and at last, he began to move. He crawled to his knees, muttering something under his breath that Annis did not understand, and she wished she could speak Cerniw.

Whatever he said, it seemed to give him strength, for he reached for the post with his other hand. Using the post and Annis, he managed to heave himself up to his feet.

The world spun and his legs felt like they belonged to someone else, but death was pulling at his arm, silently asking him to move. And who was he to argue with death?

Annis wedged her shoulder under Alden’s arm. He leant heavily on her and she staggered under his weight, although thankfully, she managed to remain on her feet. She glanced up at the battlements, where a torch light flickered. The gods had started to play.

“Come on,” she whispered. “We have to move. We don’t have much time.”

Death had a woman’s voice? Of course, it would. Why had he ever thought death would be a man? Shame she spoke with the Saxon tongue, for he understood not a word.

Annis gave a quick prayer to her favourite goddess Frige. “Alden, move!” she demanded again.

The voice knew his name and the voice sounded panicked. Would death panic? It did not make sense. His head banged in time with his heart and his legs were not cooperating, but somehow he managed to make his feet move. Death continued to whisper words of what he thought must be encouragement. She was in a hurry to leave this place and he for one could not blame her.

She led him towards an old embossed oak door. He could not focus on the door. The image in front of him was blurry and he wondered if he was dreaming. It had to be a dream for there was no other explanation. He watched, trying to focus on his surroundings, as death produced a key. Death was in such a hurry to place the key in the lock that she dropped it on the cobblestones with a soft clang. She fell to her knees to search for it and Alden reached for the courtyard’s rough wooden wall with his hand to stop himself from falling.

Annis rammed the key into the lock and prayed the door would open. A woman’s scream pierced the night, followed by the sound of men’s laughter. She ignored the scream, for there was nothing she could do. She glanced over her shoulder as she turned the key and saw more torchlight. The door creaked dreadfully as it swung open. But still, no one came. Quickly, she wedged her shoulder under Alden’s arm, helping him down the first few steep steps.

Leaving Alden leaning against the cold, cobweb-covered stonework of the corridor’s wall, she quickly crept back outside. There were men on the battlements now and a woman, her dress in tatters, hanging from her thin body in strips. Annis paused for a moment, shocked. If she were a man she would have — but she wasn’t a man and she had just crossed the border from being the protected daughter of the King of Wessex to an outcast and a traitor.

Holding her breath, she stood on tiptoes and stretched, her fingers brushing the wood of a flaming torch. Cursing her lack of height, she just managed to lift the torch from its rusty sconce on the courtyard wall. Frowning, she glanced back up at the battlements, but her father’s men were too interested in the woman to notice what was going on down below. She smiled grimly, knowing that the soldiers would be repaid in kind. Her father would have their heads when he found his prisoner gone. She tore her gaze away from the frightful scene above and hurried back down the steps. Alden had sat down on the floor, his head bowed, his skin a deathly white and covered in blood. Quickly she closed the door, locked it and then leant her back against it, taking a few precious seconds to catch her breath and slow her pounding heart.

***

The alarm bell was shrill and echoed all around them. Alden, his head already pounding, wanted to cover his ears with his hands, sink to the floor, curl up in a ball and die. Death didn’t seem to be an option, however, much as he might desire it, for the woman by his side kept him on his feet. The floor was cold and hard on his bare feet and exhaustion pulled at all his senses.

“Almost there.” Annis spoke, more to herself than the man at her side. Every muscle in her body hurt and burnt with the exertion she was placing on herself. She began to question herself. Who was she to think she could save a man’s life? She clenched her teeth together until she felt the ache in her cheeks and willed herself to relax. She had chosen this path. She had known it was going to be difficult. But knowledge is only as good as the experience that goes with it. And nothing had prepared her for this.

The flaming torch was dimming and would soon extinguish, leaving them in total darkness and she did not know this part of the castle very well, for it was one of the forbidden places. The previous owner, a Celtic warlord who went by the name of Arthur, had built this castle decades ago. He was long dead now. Her father had killed him.

She glanced across at the man by her side. His head was bent low and his breathing came in frightening gasps. The last time she had seen Alden du Lac he had kissed the palm of her hand, closing her fingers on the kiss as if to keep it safe. His grey eyes had sparkled with amusement when he had looked at her, and his whole face shone with life. With that one teasing kiss, she had fallen. Her days had been filled with dreams of him. Impossible dreams, for he was another woman’s husband. She had no right to think of him in that way and she had tried hard to forget all about him, but no matter what she told herself, she could not stop herself from dreaming.

She watched with panicked fascination as the torch glowed brightly, flickered, then extinguished and the cold darkness engulfed them both.

“I hope you know where you are going?” His voice came out as a hoarse whisper, but at least he had the clarity to speak in Latin, the language of the nobility and a language they both shared.
“I think so,” Annis replied honestly, as she let the now-useless torch slip from her fingers and clatter to the floor.

“I feel so reassured,” he said, trying to bite back the sarcasm, but she had heard it.

“I can always take you back.” Annis stated, a touch of anger in her soft voice, adding under her breath, “I am doing the best I can.”

“Will they stop ringing that bloody bell if you do?”

Annis snorted on a laugh and then blushed at her unladylike manner and she was glad for the dark. “We can but hope. I’ll say I apprehended you. I might get away with my life!” She began to walk forward, forcing him to move with her.

“Who are you? Where are you taking me?” Alden gasped, as another wave of pain robbed him of his breath momentarily.

“The last place they would expect to find you,” Annis stated. “The very last place,” she added bitterly. Her father thought her worthless. What use was a daughter? She had been a disappointment to him in all her seventeen years of life. But he had not forgotten her completely. She was a bargaining tool now that she had come of age, sold as easily as one would sell a horse. King Natanleod of Sussex was reportedly on his way to claim her. But she had promised herself she would be long gone from here before he did, for Natanleod had a terrible reputation when it came to women and she would be wife number six What had befallen the other five did not bear thinking about, except they were all dead and buried. She had tried to argue with her father, reason with him, but one did not reason with Cerdic of Wessex.

“Are you taking me to Cerdic’s bedroom? He will be surprised!” Alden jested, although where he found the strength to jest at a time like this even he did not know.

Annis felt a small sense of relief, for she feared the torture he had suffered had addled his mind. He still had his sense of humour, even if it was hanging on by a thread and for that, she was thankful. “No. Mine. Now save your breath,” she quickly added, “we still have a long way to go.”


 Copyright © Mary Anne Yarde.